ARTE: le roman interactif |
|
2004 |
01.07.2015 |
|
OCO |
Eduardo Kac |
1985 |
01.07.2015 |
lettrist, spatial, holopoem |
exquisite_code |
Brendan Howell |
2009 |
01.07.2015 |
collaboration, constraints, algorithm, codework, algorithmic, performance |
Series 1: the alphabetic |
María Mencía |
2011 |
01.07.2015 |
alphabetic, letters, reading patterns, generative, generated audio |
Mar de Sophia |
Rui Torres |
2004 |
01.07.2015 |
collaboration, aleatory, animated text, appropriated texts, code, cybertext, digital poetry, e-poetry, Flash, generative poetry, interactive poetry, intermediality, intertextuality, kinetic poetry, new media poetry, poetry generator, sound |
Mythologies of Landforms and Little Girls |
J. R. Carpenter |
1996 |
01.07.2015 |
hypertext, hypertext fiction, hypertext narrative, narrative, intertextuality, internet art, mapping, gender, early web, feminism |
Every Word I Saved (Book) |
Cristobal Mendoza |
2007 |
01.07.2015 |
software-generated text, web harvested work, database, e-lit print |
Pushkin Translation |
Megan Sapnar |
2000 |
01.07.2015 |
translation, collaboration, multilingual, Flash, poetry, love letter, Russian |
Nomad Lingo |
David Jhave Johnston |
2000 |
01.07.2015 |
language – sound - picture relationship, experience, Flash, audio, responsive |
Inside Blackwell Mansion |
Claudia Yi Leon |
1999 |
01.07.2015 |
3D, spatial narrative, Quicktime VR, haunted house, voice, narrative |
Sinking |
Ingrid Ankerson |
2000 |
01.07.2015 |
Flash, scheduled, audio, swimming |
Cannibal Dreams |
Lacy Cunningham, Justin Talbott |
2010 |
01.07.2015 |
HTML, CSS, javascript, hypertext, static, responsive |
Englen |
Michael Valeur |
1999 |
01.07.2015 |
interactive comic, narrative, CD-ROM |
As Much as You Love Me |
Orit Kruglanski |
2000 |
01.07.2015 |
guilt, love, forgiveness, poetry, haptic |
Stagno |
Alexandra Saemmer |
2011 |
01.07.2015 |
animation, interactive, re-enchantment |
Folgen |
Michelle Teran |
2011 |
01.07.2015 |
narrative, site specific, locative, Berlin, urban, geolocative, social media, YouTube |
Reabracadabra |
Eduardo Kac |
1985 |
01.07.2015 |
early Brazilian electronic poetry, Eduardo Kac, epoetry |
Skriv rätt |
Karl-Erik Tallmo |
1992 |
01.07.2015 |
dictionary, hypercard |
Strange Possessions |
Todd Sanders |
2002 |
01.07.2015 |
elements, HTML, hypertext, image and text |
The Basho's Expansion |
Paul-Eerik Rummo |
2000 |
01.07.2015 |
|
Writing To Be Found In Common Tongues |
John Cayley, Common Tongues |
2013 |
01.07.2015 |
|
Prolix |
Christophe Petchanatz |
1992 |
01.07.2015 |
algorithmic text generation, generator |
Book of Waste |
Andy Campbell |
2003 |
01.07.2015 |
short fiction, dark, video, audio, multilinearity |
Scriptura et caetera |
Marie Bélisle |
1998 |
01.07.2015 |
|
Tesão |
Eduardo Kac |
1986 |
01.07.2015 |
animation, minitel, digital graffiti |
We Feel Fine: An Almanac of Human Emotion |
Sep Kamvar, Jonathan Harris |
2009 |
01.07.2015 |
networked, language-driven digital art, big data, statistical computation, web harvested literature, found text, infographics, data visualization |
Memoirs from Hijiyama |
Jonathan Yuen |
2002 |
01.07.2015 |
nuclear bomb, Hiroshima, human suffering, grave, memorial, javascript, HTML, hypertext, poetry, visual poetry, prose poem |
Voice Mosaic |
Martha Carrer Cruz Gabriel |
2004 |
01.07.2015 |
media art, voice, speech, participatory, interface |
v i r a l p o e t i c s |
Mary Flanagan |
1999 |
01.07.2015 |
virus, poetics. collage, repurposing content, audio, video, database |
Death Valley |
June Hayes |
2000 |
01.07.2015 |
Flash, scheduled, audio, responsive |
Mummypoem (Sympathies Of War - A Postscript) |
Tom Konyves |
1978 |
01.07.2015 |
video, digital poem, pioneering |
A House of Dust |
Alison Knowles, James Tenney |
1967 |
01.07.2015 |
computer poem, poetry generator |
BEAST |
Jacques Servin |
1997 |
01.07.2015 |
hypertext, hypermedia, semiotics, image and text, pop-ups, commodification, Java |
Candles for a Street Corner |
Robert Kendall, Michele D'Auria |
2004 |
01.07.2015 |
Flash, collaboration, epoetry, electronic poetry, audio, city, melancholy, double entendre, sex |
make-shift |
Paula Crutchlow, Helen Varley Jamieson |
2010 |
01.07.2015 |
cyberformance, networked performance, improvisation, online performance space, connectivities, consequences, translation, process, chat, webcam, community, online stage |
Recaos |
Eduardo Kac |
1986 |
01.07.2015 |
early Brazilian electronic poetry, animated text, Eduardo Kac, electronic poetry |
CARNIVAL |
Steve McCaffery |
1967 |
01.07.2015 |
typewriter, concrete poetry, sound poetry |
Four Guillemets |
Loss Pequeño Glazier |
2013 |
01.07.2015 |
|
Vera Bes |
Riccardo Milanesi, Francesco Mazza |
2014 |
01.07.2015 |
|
The Flat |
Andy Campbell |
2005 |
01.07.2015 |
narrative, horror, nightmare, dark, haunting, ghost, suspense, atmospheric, multimodal, childhood memories |
The Misanthrope of Karlskrona |
Scott Rettberg |
2011 |
01.07.2015 |
generator, comedy, cross-cultural communication, performance |
The Electronic Chronicles |
Adrianne Wortzel |
1994 |
01.07.2015 |
hypertext, compendium, archives, civilization, fiction |
L’esprit humain |
Jean-Pierre Balpe |
1994 |
01.07.2015 |
poetry generator |
Dissolution |
Zahra Safavian |
2001 |
01.07.2015 |
Flash, static, audio, responsive |
Real_Time_"1sts!" [or: PanoptiConned Imagery From the Scene] |
Mez Breeze |
2013 |
01.07.2015 |
twitter, social media, terror |
Walking Blues Changes Undersea |
D. Fox Harrell |
2006 |
01.07.2015 |
generated, poetry, text |
truth, or ILLUSION? |
Alan Sondheim |
2004 |
01.07.2015 |
codework, HTML, human-computer collaboration, wonder, readable, unreadable, machine translation |
A Máquina de Emaranhar Paisagens |
Herberto Helder |
1963 |
01.07.2015 |
Portuguese experimental poetry, PO.EX |
Le Noeud |
Jean-François Verreault |
1998 |
01.07.2015 |
hypertext, fiction, hypertext fiction |
The Click Poems |
David Knoebel |
1997 |
01.07.2015 |
HTML, aural, static, haiku, e-poetry |