· · · notes
- "The formal logic. . ."
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Bolter, Jay David and Richard Grusin. Remediations: Understanding New Media. Cambridge: MIT Press, 1999, p. 273.
- Hobyah
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Panshin, Alexei. Masque World. New York: Ace Books, 1969.
- Huizinga
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Salen, Katie and Eric Zimmerman. Rules of Play. Cambridge: MIT Press, 2003, p. 4.
- Anecdote of Car
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Kronos Quartet. "A Door is Ajar." Winter Was Hard. New York: Nonesuch Records, 2004.
- Doctor Cool
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Liu, Alan. Laws of Cool: Knowledge Work and the Culture of Information. Chicago: U. Chicago Press, 2004.
- posthumanly sideways
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Hayles, N. Katherine. My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago: U. Chicago Press, 2005.
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Hayles offers "transmediation" as a broader and more accommodating alternative to Bolter and Grusin's concept.
- premedially back
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Grusin, Richard. Premediation: Affect and Mediality after 9/11. New York: Palgrave Macmillan, 2011.
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The new term seems more of a shift into a different register than a modification of the old, pre-milliennial idea.
- the Synner
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Cadigan, Pat. Synners. New York: Bantam Spectra, 1990, p. 32.
- Or set
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Name in which we conjure.
- Noah knows
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Wardrip-Fruin, Noah. Expressive Processing: Digital Fictions, Computer Games, and Software Studies. Cambridge: MIT Press, 2009, p. 1.
- most sublime act
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Blake, William. "Proverbs of Hell." The Marriage of Heaven and Hell. See, e.g., Erdman, David V., ed. The Poetry and Prose of William Blake. New York: Doubleday, 1970, p. 35.
- ergon-hodos
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Aarseth, Espen Cybertext: Perspectives on Ergodic Literature. Baltimore: Johns Hopkins UP, 1997, p. 2.
- Transverse City
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Zevon, Warren. Transverse City. Los Angeles: Virgin Records, 1989.
- "man woman"
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You could look it up.
- outside Ireland
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Joyce, Michael. The War Outside Ireland: A History of the Doyles in North America with an Account of Their Migrations. Jackson, MI: Tinkers Dam Press, 1982.
- Actually, not these Doyles.
- sleuth's muse
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Doyle, A.C. "A Scandal in Bohemia."
- Dorothee Metlitzki
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Professor Metlitzki, who taught at Yale for 25 years, was a fellow of Ezra Stiles College, where the conversation in question took place sometime in 1988.
- daughter of computer
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Hayles borrowed the title of her book, My Mother Was a Computer, from Balsamo, whose mother really did work during the 1940s as a tabulation clerk, or as the U.S. government officially designated, a computer.
- "change for the machines"
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Cadigan, p. 143.
- a not so idle hand
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Hayles, Electronic Literature: New Horizons for the Literary. Columbus: Ohio State UP, 2008, p. 116.
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The passage is worth quoting: "Interactive text. . . stimulates sensorimotor functions not mobilized in conventional print reading, including fine movements involved in controlling the mouse, keyboard, and/or joystick, haptic feedback through the hands and fingers, and complex eye-hand coordination in real-time dynamic environments."
- Wesch
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Wesch, William. "The Machine is Us/ing Us." http://blogs.tlt.psu.edu/courses/disruptive/2010/01/wesch-the-machine-is-us.html/.
- when Laurel pitched
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This is from a remark Laurel made before her keynote at the second Cyberspace conference, in Santa Cruz, California, in the spring of 1991.
- raise a glossy tombstone
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Facebook, foursquare, and Twitter were primitive instrumentalities for micro-blogging within social networks,
thought by some to have been focus of considerable interest in early proto-gnominids. "Stuart Moulthrop" is conjectured to have been a language function associated with certain de-industrialized sites of Old North Am.
- Cayley
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I quote from John Cayley's keynote address to the 2008 Visionary Landscapes conference, called "Weapons of the Deconstructive Masses." Only the first part of this paper has been published so far, and I quote the passage here with the author's permission.
- The Simpsons never did
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See Season 21, Episode 10, "Once Upon a Time in Springfield," in which Bart writes on the hallowed blackboard: "THE WORLD MAY END IN 2012 BUT THIS SHOW WON'T."
- T. Memmott, J. Nelson
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I'm thinking particularly of Memmott's Lexia to Perplexia, and various pieces by Nelson, including "I Made This. You Play This. We Are Enemies."
- America's Army
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I mean the video game.
- here for a reason
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Indeed.
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