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Bok og bibliotek
Norwegian journal for librarians, published six times a year. Subscriptions available on paper or PDF.
Jill Walker Rettberg - 17.02.2015 - 14:59
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APRJA
APRJA is an open-access research journal that addresses the ever-shifting thematic frameworks of digital culture. APRJA stands for “A Peer-Reviewed Journal About” and invites the addition of a research topic to address what is considered to be key aspects of contemporary digital art and culture (and thereby complete each journal title). We take a particular interest in software studies, media archaeology, platform politics, interface criticism, computational culture and artistic research.
As an open-access research journal, APRJA is freely available without charge to the user and his/her institution. Users are allowed to read, download, copy, distribute, print, search or link to the full text of the articles in this journal without asking prior permission to authors or the publisher (under a creative commons license).
Alvaro Seica - 25.02.2015 - 11:59
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Frónesis
A journal of the Centre d'Estudis Joan Maragall.
Alvaro Seica - 15.04.2015 - 16:46
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Viking
Viking is a legendary imprint with a distinguished list of extraordinary writers in both fiction and nonfiction. The Viking Press was founded in New York City on March 1, 1925, by Harold K. Guinzburg and George S. Oppenheimer. When the Viking logo, a ship drawn by Rockwell Kent, was chosen as a symbol of enterprise, adventure, and exploration in publishing, the popular authors included Sherwood Anderson, James Joyce, and D.H. Lawrence. Today, Viking boasts bestselling fiction authors like Pulitzer Prize winner Geraldine Brooks, Tana French, Elizabeth George, Sue Monk Kidd, Jojo Moyes, National Book Award Winner William Vollman, and Nobel Prize winner J.M. Coetzee. In 1925, the Viking nonfiction writers included James Weldon Johnson and August Strindberg. Today, Viking’s critically and commercially successful nonfiction authors, include Nathaniel Philbrick, Daniel James Brown, Steven Pinke, Antony Beevor, and Timothy Keller.
(Source: http://www.penguin.com/meet/publishers/vikingbooks/)
Alvaro Seica - 28.04.2015 - 20:55
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Coach House Books
In 1965, a young typesetter named Stan Bevington, newly transplanted to Toronto from Edmonton, began printing versions of the new Canadian maple-leaf flag. With the money he made hawking these flags in hippie Yorkville, he rented an old coach house and bought a Challenge Gordon platen press. With a newfound colleague, Dennis Reid (now a curator of the Art Gallery of Ontario), he printed a book of poetry by Wayne Clifford. Writers and artists soon flocked to the little coach house with their projects, bpNichol’s Journeying and The Returns and Michael Ondaatje’s The Dainty Monsters among them. Coach House has always maintained a dual role in Canadian letters by both publishing and printing books.
(Source: http://chbooks.com/about_us)
Alvaro Seica - 09.05.2015 - 17:16
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Critique: Studies in Contemporary Fiction
Critique: Studies in Contemporary Fiction
Jill Walker Rettberg - 16.08.2015 - 10:35
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CounterText
CounterText is uniquely centred on the study of literature and its 21st-century extensions. Is literature what it used to be? Are the broader resonances of the literary being overtaken in the drifts towards image cultures, digital spaces, globalisation and technoscientific advances? Or might the literary simply be elsewhere? CounterText seeks and commissions contributions that explore this fluid 'post-literary' reality in its various forms and challenges.
For CounterText, the post-literary is the domain in which any artefact that might have some claim on the literary appears. Inevitably, most of these artefacts will conform to familiar manifestations of the literary, doing little to reconfigure cultural givens and accepted notions of textuality. However, the post-literary domain also allows for vital and challenging migrations and mutations of the literary. Such artefacts might be called 'countertextual'. The countertextual is strategic, energetic, metamorphic and revelatory of the charged evolutions and radical transformations of the literary today.
Mario Aquilina - 13.01.2016 - 10:54
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TEXT Technology
TEXT Technology is an eclectic journal for academics and professionals around the world, supplying articles devoted to any use of computers to acquire, analyze, create, edit, or translate texts.
TEXT Technology is edited by McMaster University in Hamilton, Ontario. Joanne Buckley has stepped down from being the editor and Text Technology is under new editorial management. As of this upcoming issue Alexandre Sevigny and Geoffrey Rockwell will be co-editing the journal.
TEXT Technology will continue to feature articles and special issues devoted to professional and academic writing and research, software and book reviews, literary and linguistic analyses of texts, electronic publishing and issues related to the Internet, along with annotated bibliographies of printed and electronic materials of use to those with a decided interest in textual material. Our scope is broad, our readership international. We invite you to become part of that readership.
-- Geoffrey Rockwell and Alexandre Sévigny, Co-editors
(Source: http://texttechnology.mcmaster.ca/)
Alvaro Seica - 11.03.2016 - 15:00
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Computational Culture: A Journal of Software Studies
Computational Culture is an online open-access peer-reviewed journal of inter-disciplinary enquiry into the nature of the culture of computational objects, practices, processes and structures.
The journal’s primary aim is to examine the ways in which software undergirds and formulates contemporary life. Computational processes and systems not only enable contemporary forms of work and play and the management of emotional life but also drive the unfolding of new events that constitute political, social and ontological domains. In order to understand digital objects such as corporate software, search engines, medical databases or to enquire into the use of mobile phones, social networks, dating, games, financial systems or political crises, a detailed analysis of software cannot be avoided.Jill Walker Rettberg - 19.04.2016 - 13:39
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University of Wisconsin-Madison
University of Wisconsin-Madison was founded in 1848. It has $1B in research expenditures annually.
The university has produced 33 Pulitzer Prize winners. For 168 years, this campus has been a catalyst for the extraordinary.
As a public land-grant university and prolific research institution, students and faculty members partake in a world-class education and solve real-world problems.
(Source: http://www.wisc.edu/about/)Susanne Dahl - 30.08.2016 - 13:05
