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Mez Breeze
Mez Breeze crafts experimental storytelling, Virtual Reality Literature, VR sculptures + paintings, XR experiences, games, and other genre-defying output. In 1994, Mez first started using the World Wide Web to author digital works and she hasn’t slowed since.
Eric Dean Rasmussen - 18.02.2011 - 19:07
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David Clark
David Clark is a media artist interested in experimental narrative form and the cinematic use of the internet. He has produced work for the internet, narrative films, and gallery installations. Recent works include large-scale interactive narrative works for the web: ’88 Constellations for Wittgenstein’, an experimental portrait of the philosopher Ludwig Wittgenstein, and ‘Sign After the X’, an encyclopedic work about the letter X (made in collaboration with Vancouver writer/artist Marina Roy and composer Graham Meisner). He has also been involved with collaborative public media arts projects such as “Waterfall”(2010) that was commissioned by the Canadian Wildlife Foundation for the 2010 Vancouver Winter Olympics and the commission “Touch & Go” (2007) for the Toronto Pearson International Airport. His 2002 project ‘A is for Apple’ played at over 50 festivals around the world including the Sundance Film Festival, SIGGRAPH, FCMM in Montreal, EMAF in Osnabreuck, Transmediale in Berlin, and the Museum of Moving Images in New York. It won the top prize at the 2003 SXSW Interactive Festival and the FILE2002 in Sao Paulo, Brazil.
Eric Dean Rasmussen - 18.02.2011 - 19:15
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Erik Loyer
Erik Loyer uses tactile and performative interfaces to tell stories with interactive media. His work has been exhibited online and internationally at venues including MOCA Los Angeles, the Prix Ars Electronica, and IndieCade. Loyer's award-winning website The Lair of the Marrow Monkey was one of the first to be added to the permanent collection of a major art museum, at SFMOMA. As Creative Director for the experimental digital humanities journalVectors, he has designed over a dozen interactive essays in collaboration with numerous scholars, including the Webby-honored documentary Public Secrets.
Eric Dean Rasmussen - 18.02.2011 - 19:18
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Andreas Maria Jacobs
A. Andreas (NL 1956) is a transdisciplinary artist, writer and editor, studied physics and mathematics at the University of Amsterdam NL, electronic and computer music at the State University Utrecht NL and holds a BSc. in software engineering (University of Applied Sciences - The Hague NL). Among his works are Ors Vibranter Wurld 2008, Creative Resistance - New Media as Soft Arms 2007, Semantic Disturbances 200X, Fiat Lux 2005 and Gerausche aus der Helle 1989. His pieces have appeared in Nictoglobe (Volume 14 Issue 3, 2005) and New River Journal (Fall, 2007) as well as being performed at various Europian festivals and nightclubs. An agent for the Brahamian Intelligence Service }|{ Online. He has publiced essays in project.Arnolfini (UK 2008), seecult.org (Serbia 2007), MetaMute (UK 2007) among others. He is publisher/editor of Nictoglobe magazine, ISSN 1874-9534, online since 1986! An irregular contributor to Poetry Kessel-Lo Belgium and the Theory and Wryting mailinglist. A. Andreas is currently working as a free-lanced software engineer. He lives in Amsterdam, the Netherlands and Walkenried, Germany with Judith V. and their 3 children.
Eric Dean Rasmussen - 18.02.2011 - 19:22
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Chris Joseph
Chris Joseph is a British/Canadian writer and artist who works primarily with electronic text, sound and image, and sometimes publishes work under the pseudonym babel.
His past projects include Animalamina, a collection of interactive multimedia poetry for children, and the interactive multimedia fiction series Inanimate Alice that has been incorporated into educational courses around the world. Inanimate Alice is one of several collaborations with Canadian author Kate Pullinger, including The Breathing Wall - a novel that responds to the reader's rate of breathing - and the collaborative fiction Flight Paths.
Eric Dean Rasmussen - 18.02.2011 - 19:28
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Christine Wilks
Christine Wilks is a digital writer, artist, practice-based researcher and developer of interactive narratives and playable media. Her digital fiction, Underbelly, won the New Media Writing Prize 2010 and the MaMSIE Digital Media Competition 2011. Her work is published in online journals, exhibitions and anthologies, including the 'Electronic Literature Collection, Volume 2' and the ‘ELMCIP Anthology of European Electronic Literature’, and has been presented internationally at festivals, exhibitions and conferences. From 2007 to 2013 she was a core member of the digital arts remixing collective, R3M1XW0RX, and contributed over 100 remixes. Before working in digital media and the web, she made short films, videos, animations, installations and wrote fiction and screenplays. She has an MA in Fine Art from Cardiff Institute of Higher Education (UWIC), an MA(Hons) in Creative Writing and New Media from De Montfort University and a PhD in Digital Writing from Bath Spa University.
Eric Dean Rasmussen - 18.02.2011 - 19:32
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David Ciccoricco
David (also published as Dave) is a member of the English Department faculty at the University of Otago, located in Dunedin, New Zealand. His research is focused on contemporary narrative fiction, with a particular emphasis on emergent forms of digital literature and digital culture in general. He is the author of Reading Network Fiction (U of Alabama Press), a book on the first and second waves of digital fiction. He is the co-editor of ebr or the Electronic Book Review.
Eric Dean Rasmussen - 18.02.2011 - 20:17
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Timothy Morton
Timothy Morton is Professor of Literature and the Environment at the University of California, Davis. He is the author of Realist Magic (OHP, fothcoming) The Ecological Thought (Harvard UP, 2010) and Ecology without Nature (Harvard UP, 2007), and over seventy essays on literature, philosophy, ecology, music, art and food. Morton serves as a member of the editorial board of ebr, the Electronic Book Review.
Eric Dean Rasmussen - 18.02.2011 - 21:59
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Astrid Ensslin
Astrid Ensslin is Professor in Digital Culture at the University of Bergen. Her main publications include Pre-web Digital Publishing and the Lore of Electronic Literature (CUP, 2022), Digital Fiction and the Unnatural (Ohio State UP, 2021, with Alice Bell), Approaches to Videogame Discourse (Bloomsbury, 2019, co-edited with Isabel Balteiro), Small Screen Fictions (Paradoxa, 2017, co-edited with Lisa Swanstrom and Pawel Frelik) Literary Gaming (MIT Press, 2014), Analyzing Digital Fiction (co-edited with Alice Bell and Hans Kri
Eric Dean Rasmussen - 18.02.2011 - 22:25
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Dene Grigar
Dene Grigar is Professor and Director of The Creative Media & Digital Culture Program at Washington State University Vancouver whose research focuses on the creation, curation, preservation, and criticism of Electronic Literature, specifically building multimedial environments and experiences for live performance, installations, and curated spaces; desktop computers; and mobile media devices. She has authored 14 media works such as “Curlew” (2014), “A Villager’s Tale” (2011), the “24-Hour Micro E-Lit Project” (2009), “When Ghosts Will Die” (2008), and “Fallow Field: A Story in Two Parts" (2005), as well as 54 scholarly articles adn three books. She also curates exhibits of electronic literature and media art, mounting shows at the British Computer Society and the Library of Congress and for the Symposium on Electronic Art (ISEA) and the Modern Language Association (MLA), among other venues.
Eric Dean Rasmussen - 22.02.2011 - 16:59
