Search

Search content of the knowledge base.

The search found 2345 results in 0.016 seconds.

Search results

  1. Michael Joyce

    Michael Joyce (born 1945) is a professor of English at Vassar College, NY, USA, and a pioneering author and critic of electronic literature. Joyce's afternoon: a story, 1987, was among the first literary hypertexts.

    Jill Walker Rettberg - 05.01.2011 - 12:16

  2. The Company Therapist

    An early web-based collaborative fiction writing project, where contributors played the role of employees at a large computer company who all see the same therapist. Ran from 1996-1999, and was billed as a collaborative hyperdrama. Produced by Christopher and Olga Werby, but many more authors contributed.

    Jill Walker Rettberg - 05.01.2011 - 13:30

  3. Joseph Tabbi

    Joseph Tabbi is the author of Cognitive Fictions (Minnesota 2002) and Postmodern Sublime (Cornell 1995), books that examine the effects of new technologies on contemporary American fiction. He is the founding editor of electronic book review (ebr), and has edited and introduced William Gaddis’s last fiction and collected non-fiction (Viking/Penguin). His essay on Mark Amerika appeared at the Walker Art Center’s phon:e:me site, a 2000 Webby Award nominee. Also online (the Iowa Review Web) is an essay-narrative, titled “Overwriting,” an interview, and a review of his recent work. He is professor of English at the University of Illinois at Chicago. Tabbi has served as president of the Electronic Literature Organization.

    Eric Dean Rasmussen - 06.01.2011 - 12:56

  4. Diagrams Series 6: 6.4 and 6.10

    Diagrams Series 6 is the latest in a life-long series of Diagram Poems, the earliest experimentations for which began in 1968. Although I have been making interactive works since 1988, Diagrams Series 6 is actually my first work written in a fully interactive way: from beginning to end in one interactive environment where the word object is playable at every stage of its development, from temporary unassembled scrap all the way to its final location in a finished piece. This environment is part of an ongoing project which I call Hypertext in the Open Air, implemented in a programming system called Squeak. It allows the works to be played on all popular computing platforms, including Macintosh, BSD, Linux, and Windows. Diagrams Series 6, consisting of the works 6.4 and 6.10, strives to return to the intense diagrammicity of some of my earlier non-interactive works, Diagrams Series 4 and Diagrams Series 3. The diagram notation acts as a kind of external syntax, allowing word objects to carry interactivity deep inside the sentence. Interactivity, in turn, allows for juxtapositions to be opened so that the layers in cluster can occupy the same space and yet be legible.

    Patricia Tomaszek - 11.01.2011 - 12:42

  5. The New Media Reader

    The new media field has been developing for more than 50 years. This reader collects the texts, videos, and computer programs—many of them now almost impossible to find—that chronicle the history and form the foundation of this still-emerging field. General introductions by Janet H. Murray (author of Hamlet on the Holodeck) and Lev Manovich (author of The Language of New Media), along with short introductions to each of the selections, place the works in their historical context and explain their significance.

    The texts are from computer scientists, artists, architects, literary writers, interface designers, cultural critics, and individuals working across disciplines. They were originally published between World War II (when digital computing, cybernetic feedback, and early notions of hypertext and the Internet first appeared) and the emergence of the World Wide Web (when these concepts entered the mainstream of public life).

    Patricia Tomaszek - 11.01.2011 - 14:22

  6. Asunción López-Varela Azcárate

    Since 1994 Asunción López-Varela, has been a professor at Complutense University Madrid, Department of English. She specializes in nineteenth- and twentieth-century literature, comparative literature, critical theory, and media studies. Her research interests include semiotic aspects of space and time within literary representations, computer-assisted language learning, and the use of hypermedia technologies in teaching and research. She is the project leader of the SIIM Studies on Intermediality and Intercultural Mediation.

    Patricia Tomaszek - 12.01.2011 - 16:30

  7. Alexandra Saemmer

    Alexandra Saemmer is associate professor of information and communication sciences at University Paris 8. Her current research projects focus on semiotics and aesthetics of digital media, reading and writing in digital environments. She is the author and editor of several books and articles on digital literature and arts.

    Patricia Tomaszek - 12.01.2011 - 16:42

  8. Janez Strehovec

    Janez Strehovec received his Ph.D. from the University of Ljubljana, Slovenia in 1988 in Aesthetics. Since 1993 he has been working as principal researcher at the projects Theories of Cyberarts, Theories of Cyberculture, and Theories of Internet Culture and Internet Textuality, supported by the Slovenian Ministry of Science and Technology. In the nineties he taught Sociology of Popular Culture at two faculties of University of Ljubljana. He is the author of six books in the field of cultural studies and aesthetics published in Slovenia. His books include Technoculture, the Culture of Techno (1998) dealing with the subject of techno not just as a lifestyle issue and music movement but as a crucial principle of the recent artificial realities. His most recent book is The Internet Art (2004). He has also written in journals such as the Journal of Popular Culture, the Popular Culture Review, A-r-c, Afterimage and CTheory, and has presented his papers at various international conferences in Europe, Mexico, Australia and the United States.

    Patricia Tomaszek - 12.01.2011 - 16:45

  9. María Mencía

    Artist practitioner, Senior Lecturer in Digital Media at Kingston University and researcher working in digital media to create interactive installations, net.art, textual poetics and sound pieces. She holds a PhD in Digital Poetics and Digital Art by the University of the Arts-London. Maria has been awarded various grants to develop practice-led research in the area of digital poetics and digital art. In 2007 she was awarded the 2005 TIES Grant by the Key Centre of Design Computing and Cognition, Faculty of Architecture, Design and Planning, The University of Sydney, Australia. In 2005-06, the Promising Researcher Fellowship (2005-06) by Kingston University to collaborate with the Media Research Lab -New York University, NY, USA, in her project Autocalligraphy: Electronic and Generative Handwriting and in 2005, an AHRC Small Grants in the Creative and Performing Arts to develop Cityscapes.

    Eric Dean Rasmussen - 12.01.2011 - 16:51

  10. Loss Pequeño Glazier

    Poet Loss Pequeño Glazier is E-Poetry President & Artistic Director, Director of the Electronic Poetry Center, and Professor, Media Study, SUNY Buffalo. E-Poetry 2011 will be held in Buffalo in May, 2011. The EPC is an extensive resource for innovative and digital poetry. Glazier's work in digital writing focuses on code, in natural language, translation, and computer programming, or as language poeisis. He is author of Anatman, Pumpkin Seed, Algorithm (Salt, 2003), Digital Poetics (Alabama, 2002), Small Press (Greenwood, 1992), and poems, essays, film, visual art, sound, digital, as well as projects for installation, dance, music, and performance. Exhibitions include Collectif Aixois d'Art Contemporain, Neuberger Museum SUNY Purchase, Royal Festival Hall, London, Instituto del Libro, Havana, Guggenheim Museum, UCLA Hammer Museum, Kulturforum Potsdamer Platz, Berlin, California Institute of the Arts, University of London, Le Divan du Monde, Paris, and Bowery Poetry Club, New York.

    Patricia Tomaszek - 12.01.2011 - 16:55

Pages