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  1. Arte y políticas de identidad

    Arte y políticas de identidad

    Maya Zalbidea - 04.08.2014 - 12:24

  2. Netescopio. Visión del arte en red del MEIAC

    Netescopio. Visión del arte en red del MEIAC

    Maya Zalbidea - 04.08.2014 - 13:52

  3. Digital Textualities. A Showcase of 12 Digital Works by Women Writers, Artists, Poets, Researchers, Academics and Educators

    Digital Textualities. A Showcase of 12 Digital Works by Women Writers, Artists, Poets, Researchers, Academics and Educators

    Maya Zalbidea - 14.08.2014 - 11:25

  4. compArt daDA: the database Digital Art

    The compArt database Digital Art (daDA) is a growing repository on digital art. It currently focusses on five top categories: people (in their roles as artists, authors, gallerists, etc.), works, events, publications, and institutions. We use the slightly problematic term “digital art” in a broad sense. More or less like: in order to be included, an entity of the data base must have its roots in operations by digital computers; or reflect on such entities, or be otherwise related to them. But we allow for some sloppiness: we also insert entities of historic relevance to digital art. We are currently restricting attention to the early phase of digital art. As those we consider the years from about 1950 to 1979, the year of the first Festival Ars Electronica in Linz, Austria. During those years, digital art was mainly algorithmic art. At some later time, we intend to include other forms of digital art. We already now occasionally accept works, artists, etc. that bear enough of a stylistic kinship with early digital art. We almost exclusively deal with visual art. But here also, we allow for exceptions as, e.g., some entries from early computer music.

    Alvaro Seica - 05.02.2015 - 10:32

  5. I Love E-Poetry

    This scholarly blog was launched on December 19, 2011 as a constraint to read and critically reflect upon a work of e-poetry every day, leading me to revisit known works, discover new ones, and expand my knowledge of this emergent poetic genre. Its initial performance was a continuous run of 500 daily entries, completed on May 2, 2013. It is also designed as quick reference for those unfamiliar with e-poetry, with concise entries that provide poetic, technological, and theoretical contexts, close readings of the poems, and some strategies for readers to approach the work. This last aspect is an important part of my current work as an academic: to broaden the audience base for e-literature, both within and outside of academia. In order to extend its potential audiences, the blog uses a social blogging platform, Tumblr, and it broadcasts its content on two social networks: Facebook and Twitter. I ♥ E-Poetry is developing a worldwide audience, received over 16,045 visits and more than 9,898 unique visitors since its launch, according to Google Analytics data collected on May 4, 2013.

    Elias Mikkelsen - 17.02.2015 - 15:52

  6. Media Art Net

    Objectives

    Alvaro Seica - 03.05.2015 - 23:38

  7. P—DPA

    The aim of P—DPA [Post—Digital Publishing Archive] is to systematically collect, organize and keep trace of experiences in the fields of art and design that explore the relationships between publishing and digital technology. The archive acts as a space in which the collected projects are confronted and juxtaposed in order to highlight relevant paths, mutual themes, common perspectives, interrelations, but also oppositions and idiosyncrasies. P—DPA is maintained by Silvio Lorusso.

    (Source: http://p-dpa.net/about/)

    Alvaro Seica - 19.02.2016 - 13:22

  8. Estudo Geral - Repositório Digital da Universidade de Coimbra

    Estudo Geral - Repositório Digital da Universidade de Coimbra

    Daniela Côrtes Maduro - 20.09.2016 - 14:35

  9. Estudo Geral - Repositório Digital da Universidade de Coimbra

    Estudo Geral - Repositório Digital da Universidade de Coimbra

    Daniela Côrtes Maduro - 20.09.2016 - 14:37

  10. Cultural Mechanics

    Cultural Mechanics is a podcast that emerges out of James O’Sullivan’s research and interest in a variety of topics relating to digital culture, electronic art, critical media, creative technologies, and the Digital Humanities.

    James O'Sullivan - 17.01.2017 - 22:42

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