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  1. À bribes abattues

    L’œuvre de Philippe Bootz « À bribes abattues » est bien nommée parce que chaque poème animé utilise les mêmes mots jusqu’à ce que leur signification soit abattue. « Bribes » fait référence aux mots individuels qui jouent sur l’écran, mais aussi aux lettres dans les mots qui changent de façon indépendante pour changer la signification des mots et des strophes. Le titre est aussi un jeu de mot avec la phrase « à bride abattue » qui veut dire « à toute vitesse. » Le lecteur choisit quelle œuvre il va « lire » (entre guillemets parce qu’on fait beaucoup plus que lire ces œuvres, on en fait une expérience). Le choix nous donne la sensation de prise, mais en fait c’est un peu comme choisir un poème dans une anthologie. On ne fait que choisir l’œuvre ou la page ; on n’a aucun influence sur le texte-même.

    Scott Rettberg - 20.01.2011 - 13:24

  2. Connected Memories

    This piece is an exploration of oral histories and the use of technology as a participatory and inviting medium to perform and share stories.

    It is an interactive piece, which consists of a series of extracts from interviews of refugees living in London and the connection between them. They are compiled in a database and linked by common key words. To represent the fractured realities and the formations of connected memories, the viewers need to interact with the piece by clicking on the coloured activated 'common keywords' in order to generate extracts of narrations from the different participating refugees. As an installation the piece includes a microphone to invite the viewers to read aloud and share with other viewers the experience of performing the work through their reading. 

    Eric Dean Rasmussen - 25.01.2011 - 18:01

  3. Newsrub

    Newsrub

    Eric Dean Rasmussen - 25.01.2011 - 18:04

  4. Katarina Peovic Vukovic

    "She defended her masters thesis “Literature and technology of new media” in 2004 at the Department of Comparative Literature at the Faculty of Philosophy, University of Zagreb. She is currently lecturing at the Department of Cultural Studies (postgraduate seminars Text, hypertext, hypermedia and Theory and practice of new media, and graduate seminar Science, technology and culture). She was guest lecturer at the University of Zagreb (in 2002 and 2005). She is and editor of the Croatian literary magazine Libra Libera (1999-2008), and a member of the editorial board of Croatian cultural magazine "Zarez", as well as the member of the editorial board of the Third Program of Croatian radio. She is a member of the Croatian Writers Society (since 2002), and the member of the Croatian Helsinki Committee for Human Rights (in the period from 2000 to 2005). She is finishing her Ph.D. on the problems of new media literacy. By using the experiences of the hypertext theory, the study analyses hypertexts, cybertexts, computer games and spaces of virtual communication" (author-submitted bio).

    Eric Dean Rasmussen - 26.01.2011 - 15:28

  5. E-poetry: the Palpable Side of Signs

    In his famous essay entitles “Linguistics and Poetics” (1958) Roman Jakobson asserted that the “[poetic function] stresses the palpable side of signs”. Paul Valéry states that “a poem […] should create the illusion of an indissoluble compound of sound and sense”.

    We traditionally call poetry an artistic experience related to the word both in oral and written form, whose composition unity is the verse line (alexandrine verse, free verse, etc.). The oral medium should be normally richer. The written poetry, in fact, translated into the page only the segmental part of a text, but it is not able to show the over-segmental part as the tone, modulation, etc. However, we can say that this discrepancy has been cancelled: for instance, emphasis, oral procedure concerning duration, has its graphic form highlighted.

    Eric Dean Rasmussen - 27.01.2011 - 15:55

  6. Littérature numérique: le récit interactif

    The expression interactive literary narrative applies to a variety of works. In its diversity, the interactive literary narrative raises questions on narratives, interactive architecture, multimedia as well as on literature. It is because the interactive literary narrative is wrought by tensions that it has this questioning and maybe even revealing capacity.

    Scott Rettberg - 30.01.2011 - 15:03

  7. Matières textuelles sur support numérique

    Matières textuelles sur support numérique

    Scott Rettberg - 30.01.2011 - 17:45

  8. OCO

    “OCO”  esplora l'architettura tridimensionale delle lettere O, C, e I, e la molteplicità dei significati (in portoghese) che emergono quando la lettera I appare e scompare ritmicamente. Questi significati emergono attraverso le associazioni cognitive  dello spettatore e  dalle relazioni spaziali percepite tra le lettere. Originariamente presentato nel 1985 come holopoem interattivo (ormai perso), “OCO” è stato ricreato nel 1990 come poesia interattiva digitale.

    Scott Rettberg - 30.01.2011 - 23:20

  9. Francisco J. Ricardo

    "Francisco J. Ricardo Ph.D. is media and contemporary art theorist. A Research Associate at the University Professors Program and co-director of the Digital Video Research Archive at Boston University, he also teaches digital media theory at the Rhode Island School of Design. He has degrees from Thomas Edison College,Harvard University and Boston University. His research examines historical, conceptual, and computational intersections between contemporary art and architecture, on one hand,and new media art and literature, on the other. He has presented in ACM, Digital Arts and Culture, CAA, and Cyberculture conferences.Recent publications include Cyberculture and New Media (Rodopi, 2009) and Literary Art in Digital Performance (Continuum, 2009). His vocations include music composition and performance, yoga, fencing, astrology, and other radical geographies of the self."

    Eric Dean Rasmussen - 31.01.2011 - 09:43

  10. Continuum

    Continuum is a leading independent academic publisher, unconstrained by the interests of any global media group or academic institution, and based in London and New York. We enjoy the business of publishing, and thrive on working with authors to devise a successful approach for each title we publish. Our expertise and experience allow us to make quick decisions, and, when needed, to bring important ideas rapidly to a global readership. New technology provides many new paths to market, and Continuum is actively engaged in digital distribution, in a way which maximises dissemination and protects rights holders. Publishing We publish around 600 books each year, focusing on the Humanities, Education, and Religion. Our backlist comprises some 7,000 titles. Our output includes textbooks, supplementary course books, research monographs, reference works and professional books, as well as related general non-fiction. Academic proposals are peer-reviewed before we commit to publication, to help ensure quality and to support the career progression of our authors.

    Eric Dean Rasmussen - 31.01.2011 - 09:49

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