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1. A [S]creed for Digital Fiction

   An international group of digital-fiction scholars proposes a platform of critical principles, seeking to build the foundation for a truly "digital" approach to literary study. Published in ebr's electropoetics thread.

   Eric Dean Rasmussen - 18.02.2011 - 22:31

2. State of the Arts

   State of the Arts: The Proceedings of the Electronic Literature Organization's 2002 State of the Arts Symposium & 2001 Electronic Literature Awards. Published as a book with CD-ROM. The CD includes the winning works as well as most of the shortlisted works, video files and photos of the 2001 awards ceremony, and audio of keynotes from the 2002 State of the Arts symposium.

   Eric Dean Rasmussen - 22.02.2011 - 15:47

3. Electronic Literature in the University

   Commentary on the "Electronic Literature in the University Panel" at the 2002 Electronic Literature Symposium: State of the Arts, organized by the Electronic Literature Organization and hosted by the University of California at Los Angeles (UCLA) . Larry McCaffery moderated the panel, which featured Loss Pequeño Glazier, Alan Liu, Sue Thomas, and Victoria Vesna. Panelists discussed challenges facing academics trying to integrate electronic literature within existing arts and humanities programs, where electronic literature was most likely to find institutional support within university systems, the need for accessible, well-designed digital archives, and the dangers that interdisciplinary e-lit scholars might encounter.

   Eric Dean Rasmussen - 22.02.2011 - 16:15

4. Reading, Describing, and Evaluating Electronic Literature for Archiving

   In programmierbaren Medien produzierte Literatur erfordert eine Rekonzeptionalisierung des Rezeptionsprozesses sowie die Entwicklung neuer Konzepte zur Bewertung von (elektronischer) Literatur. Dies ist notwendig, wenn kinetische oder vom Computer zufällig rekombinierte und generierte Texte, interaktive Erzählungen, Hyperfictions oder Gedichte, die als bewegte Buchstaben auf dem Bildschirm erscheinen, Analyseobjekte für Archivierungsprozesse darstellen. Erst wenn diese Voraussetzungen erfüllt sind, können tragfähige Verfahren zur Archivierung und Bewertung dieser Literatur entwickelt werden. Es geht daher nicht um die Frage, wie überlieferte Texte digitalisiert und archiviert werden können. Vielmehr geht es bei den laufenden Initiativen der „Electronic Literature Organization“ (ELO), die im Folgenden vorgestellt werden sollen, um „born-digital works“, d.h. um „elektronische Literatur“, „Netzliteratur“, oder „Literatur in neuen Medien“ (um nur drei der zahlreichen Bezeichnungen des aufstrebenden Forschungsfeldes zu nennen).

   Eric Dean Rasmussen - 22.02.2011 - 16:29

5. Technics and Violence in Electronic Literature

   Technics and Violence in Electronic Literature

   Eric Dean Rasmussen - 22.02.2011 - 20:51

6. Regards Croisés: Perspectives on Digital Literature

   from the publisher: What happens to literature in an age of digital technology? Regards Croisés: Perspectives on Digital Literature provides an answer, with a collection of cutting-edge critical essays on literature gone digital. Regards Croisés is an important addition to existing research on digital literature, and will appeal to scholars of electronic writing, digital art, humanities computing, media and communication, and others interested in the field. It offers a significant advance in the field through its wide-angle perspective that globalizes digital literature and diversifies the current critical paradigms. Regards Croisés shows how digital literature connects with traditions and future directions of reading and writing communities all over the world. With contributions by authors from eight countries and three continents, the collection presents points of view on a transcontinental practice of digital literature. Regards Croisés also opens dialogues with expanded critical paradigms of digital literature, beyond earlier critical concern with the aesthetics of the screen as a space of hypertext links.

   Eric Dean Rasmussen - 23.02.2011 - 10:12

7. The Programming Era: Building Literary Networks Through Peer-to-Peer Review

   A noted literary scholar, Mark McGurl, has dubbed the postwar period in American literary history “The Program Era.” This phrase alludes to the fact that after World-War II most American literary production occurred in and around creative writing programs. Today, electronic literature continues the trend of literature’s institutionalization within higher education systems. E-lit literalizes the concept of “program” fiction inasmuch as its authors must also be adept at coding and programming. Taking the systematic coupling of literary art and higher-educational institutions as a necessary given, what can we—i.e. the authors, artists, critics, coders, scholars, students, writers and readers thinking at the interface of these social systems—do to create environments in which e-lit can flourish?

   Eric Dean Rasmussen - 25.02.2011 - 08:16

8. Flukten fra språkfengselet

   The article, published in Norwegian in Vagant and in English as "Escaping the Prison House of Language: New Media Essays in the Electronic Literature Collection, Volume 2" on the author's website, addresses the release of the Electronic Literature Collection, Volume 2, and several new media essays and documentaries published in the collection.

   Scott Rettberg - 26.02.2011 - 16:06

9. Escaping the Prison House of Language: New Media Essays in the Electronic Literature Collection, Volume 2

   The article, published in Norwegian in Vagant and in English as "Escaping the Prison House of Language: New Media Essays in the Electronic Literature Collection, Volume 2" on the author's website, addresses the release of the Electronic Literature Collection, Volume 2, and several new media essays / documentaries published in the collection.

   Scott Rettberg - 27.02.2011 - 20:18

10. Literature from Page to Interface: The Treatments of Text in Christophe Bruno's Iterature

    Søren Pold explores the ways in which Christophe Bruno's Iterature expands the notion of literary form and shows what happens when words are no longer only part of a language.
    (Source: ebr)

    Eric Dean Rasmussen - 01.03.2011 - 15:42

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