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E-Poetry Summer Intensive
I-2012 presents an engaging range of topics in and out of digital media and language, film, interactive art, and performance in an innovative format typified by human communication, generous presentation times, extended segments for response by peer scholars, and open and creative thinking as a group. The idea here is for presenters to propose their own field of references — in an effort to enlighten themselves and to help others locate new resources for themselves — in open conversations exploring connections. In terms of content, though numerous other venues exist for considerations of processor determined digital arts (the unreadable, machinic cum machinic, special effects, and data-dominant informatic), I-2012 focuses on the LANGUAGE edge of innovative emergent media practice, i.e, as we speak, read, and intimate, what is happening between the cracks in processing? Such attention is given as simply ONE relevant locus in the larger conversation and it is given cognizant that practice does not fall into distinguishable camps, but exist as contours within a larger media fabric. It asks: What are words when we “mean” through them?
Leonardo Flores - 13.06.2012 - 17:48
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NORLIT
The Nordic Association for Comparative Literature (NorLit) organizes every two years an international scholarly conference. The aim of NorLit is to develop the study of Comparative Literature through Nordic collaboration both in its own discipline and in Modern Language and Cultural studies.
Jill Walker Rettberg - 18.06.2012 - 10:41
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NORLIT 2009: Codex and Code Aesthetics, Language, and Politics in an Age of Digital Media
The Nordic Association for Comparative Literature (NorLit) organizes every two years an international scholarly conference. The aim of NorLit is to develop the study of Comparative Literature through Nordic collaboration both in its own discipline and in Modern Language and Cultural studies. The next conference will take place in Stockholm, August 6-9, 2009. The conference is organized by the School of Computer Science and Communication, Royal Institute of Technology (Stockholm), the Department of Comparative Literature, Stockholm University, the Department of Communication and Culture, Södertörn University College, and the Department of Comparative Literature, Uppsala University.
The theme for the meeting is ”Codex and Code: Aesthetics, Language and Politics in an Age of Digital Media”. The conference venue is the Royal Institute of Technology. The conference languages are the Nordic languages and English.
Jill Walker Rettberg - 18.06.2012 - 10:42
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places / traces / stories
Scott Rettberg shows several collaborative projects, made together with Roderick Coover and Nick Montfort. Jeremy Welsh shows Spatial Traces, a video work with sound by Robert Worby, and Places/Traces, a selection of works-in-progress from an ongoing series of investigations of place in video, photography, sound and text. The project consists of several parts, including "SMS Bamboo Forest", an ongoing work combining digital photographs, video and sound, started in 2009 in a Chinese garden in Sydney. Image below from the series Places/Traces (2010 - 2012) a collection of photographs recording traces and remnants, marks, scarrings, abandoned or discarded items and neglected spaces in the urban environment.
Scott Rettberg - 05.10.2012 - 14:30
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III Simpósio Nacional ABCiber
O Simpósio Nacional ABCiber é uma iniciativa da ABCiber – Associação Brasileira de Pesquisadores em Cibercultura, entidade científico-cultural, interdisciplinar, de âmbito nacional, sem fins lucrativos. Em sua terceira edição, o evento é organizado pelo Grupo de Pesquisas em Comunicação e Práticas de Consumo (certificado no diretório do CNPq) e promovido pelo Programa de Mestrado em Comunicação e Práticas de Consumo da ESPM. O Simpósio reunirá, em três dias consecutivos, inúmeros artistas, coletivos, pesquisadores e alunos de Graduação e Pós-graduação de Ciências Humanas e Ciências Sociais Aplicadas de todo o país. Por meio dos eixos cultural/artístico e científico, o evento tem como objetivo promover a reflexão e a circulação do conhecimento e das produções artísticas no âmbito da cibercultura.
(Fonte: AbCiber)
Luciana Gattass - 25.10.2012 - 16:44
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A Vida Secreta dos Objetos: Materialidades, Medialidades, Temporalidades
There are strong indications that a significant transformation is underway in the so-called “human sciences” (Geisteswissenschaften, sciences humaines, Humanities). After a period of intense crisis and uncertainty, in which human sciences have frequently sought to mirror or approach the hard sciences, the beginning of the twenty-first century seems to witness a broad renewal of disciplines, approaches and methodologies. From the questioning of its traditional foundations, humanities are reinventing themselves by a broad reconfiguration of its borders and even of the notion of “humanity” that served as its cornerstone. One of the areas where the wealth of this new scenario is most clearly displayed is that of media studies. Spurred by the impact of new digital technologies, media studies cleverly learned to appropriate the epistemological principles and major theoretical issues that have come to characterize the contemporary cultural scene.
Luciana Gattass - 26.10.2012 - 10:32
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"The Digital Subject: Questioning Hypermnesia" - International and Transdisciplinary Conference
Les technologies numériques d’inscription et de préservation permettent aujourd’hui de constituer d’importantes archives électroniques, des bases de données complexes et favorisent l’apparition de nouvelles pratiques d’archivage du savoir, comme les encyclopédies collaboratives. Un tel développement technique contient en germe une reconfiguration profonde du rapport humain au monde et au savoir mais aussi sans doute une mutation de notion même de sujet humain.
Préfigurée dès les années 30 dans les travaux d’H G Wells (World Brain, 1937) ou ceux de Borges (« Funes el memorioso », 1944), le motif de l’hypermnésie, récurrent au sein des récits de science-fiction, essaime au sein d’autres formes littéraires, qu’il s’agisse de romans édités de manière traditionnelle ou d’œuvres littéraires sur support électronique. Parallèlement, la possibilité d’une extériorisation et d’une extension de la mémoire est un élément central dans des théories philosophiques contemporaines, notamment celle de « l’esprit étendu », de deux côtés de la frontière entre philosophies analytiques et continentales.
Arnaud Regnauld - 01.11.2012 - 18:03
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Workshop on Curating and Exhibiting Electronic Literature
This workshop, which will include participants from Bergen cultural institutions and UiB researchers, as well as international expert speakers, is intended to examine the growing trend towards the exhibition of electronic literature in art venues, such as museums and galleries, and to examine models of curating and exhibiting electronic literature in these environments. In addition to providing an opportunity for discussion and analysis of what happens to the situation of digital literary artifacts when they are presented in gallery environments, this workshop will provide an important planning opportunity.
Scott Rettberg - 02.11.2012 - 12:10
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.ran - real audio netliterature
When talking about internet and radio the term "radio theory" almost inevitably occurs. In 1927, Brecht had postulated:
"to make radio a really democratic thing" and "to turn broadcasting from a distribution apparatus into a communication apparatus".
[Bertolt Brecht, Complete Works, VIII, S.129].In other words, Brecht claimed a retour channel for the radio, a possibility to react for the listeners. And this retour channel, the possibility to interact for users in the Brechtian sense, seems to be consequently implemented with the internet for the first time ever. Alone due to the fact that every single information exchange on the web is bidirectional already on the level of protocols.
Johannes Auer - 06.11.2012 - 10:39
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Grand Text Auto Exhibition at the Beall Center for Art and Technology
What happens when a popular blog crashes into a gallery exhibition? Jump in as the drivers of Grand Text Auto careen toward new fictional forms and modes of play. Grand Text Auto presents six artists wheeling their way to the forefront of digital games and narrative. The artists include Noah Wardrip-Fruin, Mary Flanagan, Michael Mateas, Andrew Stern, Nick Montfort, and Scott Rettberg.
With collaboration and support from the GVU Center at the Georgia Institute of Technology and the Center for Research in Computing and the Arts at the University of California, San Diego.
(Source: Exhibition announcement from the Beall Center)
Scott Rettberg - 06.12.2012 - 16:10
