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Anders Fagerjord
Anders Fagerjord
Eric Dean Rasmussen - 17.01.2011 - 14:30
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Katarina Peovic Vukovic
"She defended her masters thesis “Literature and technology of new media” in 2004 at the Department of Comparative Literature at the Faculty of Philosophy, University of Zagreb. She is currently lecturing at the Department of Cultural Studies (postgraduate seminars Text, hypertext, hypermedia and Theory and practice of new media, and graduate seminar Science, technology and culture). She was guest lecturer at the University of Zagreb (in 2002 and 2005). She is and editor of the Croatian literary magazine Libra Libera (1999-2008), and a member of the editorial board of Croatian cultural magazine "Zarez", as well as the member of the editorial board of the Third Program of Croatian radio. She is a member of the Croatian Writers Society (since 2002), and the member of the Croatian Helsinki Committee for Human Rights (in the period from 2000 to 2005). She is finishing her Ph.D. on the problems of new media literacy. By using the experiences of the hypertext theory, the study analyses hypertexts, cybertexts, computer games and spaces of virtual communication" (author-submitted bio).
Eric Dean Rasmussen - 26.01.2011 - 15:28
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Francisco J. Ricardo
"Francisco J. Ricardo Ph.D. is media and contemporary art theorist. A Research Associate at the University Professors Program and co-director of the Digital Video Research Archive at Boston University, he also teaches digital media theory at the Rhode Island School of Design. He has degrees from Thomas Edison College,Harvard University and Boston University. His research examines historical, conceptual, and computational intersections between contemporary art and architecture, on one hand,and new media art and literature, on the other. He has presented in ACM, Digital Arts and Culture, CAA, and Cyberculture conferences.Recent publications include Cyberculture and New Media (Rodopi, 2009) and Literary Art in Digital Performance (Continuum, 2009). His vocations include music composition and performance, yoga, fencing, astrology, and other radical geographies of the self."
Eric Dean Rasmussen - 31.01.2011 - 09:43
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Stephanie Strickland
Stephanie Strickland’s 10 books of poetry include How the Universe Is Made: Poems New & Selected (2019) and Ringing the Changes (2020), a code-generated project for print based on the ancient art of tower bell-ringing. Other books include Dragon Logic and The Red Virgin: A Poem of Simone Weil.
Strickland’s 12 collaborative digital works include slippingglimpse, a poem that maps text to Atlantic wave patterns; the Vniverse app for iPad, interactive companion to the print V : WaveTercets / Losing L’una; Sea and Spar Between, a poem generator paired with Duels—Duets, a companion generator reflecting on Sea and Spar’s composition and paired also with cut to fit the toolspun course, the Sea and Spar code glossed.
Recent work includes Liberty Ring! (2020), interactive companion to Ringing the Changes; House of Trust, a generative poem in praise of free public libraries; and Hours of the Night, an MP4 PowerPoint poem probing age and sleep.
Eric Dean Rasmussen - 31.01.2011 - 13:12
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Katja Kwastek
Dr. Katja Kwastek is an art historian and coordinator of research at the school of arts at Ludwig Maximilian University in Munich. She served as vice-director of the Ludwig Boltzmann Institute Media.Art.Research. in Linz (Austria), where she directed the research projects on interactive art until 2009. Prior to this, she worked as assistant professor at the art history department of the Ludwig Maximilian University in Munich and was a Visiting Scholar at the Rhode Island School of Design (Providence, RI). Her research focuses on contemporary and new media art, media theory and aesthetics. She has curated exhibition projects, lectured widely and published many books and essays, including Ohne Schnur. Art and Wireless Communication, Frankfurt (2004). She recently finished a book manuscript on the aesthetics of interaction in digital art.
(Soruce: Transmediale.de)
Eric Dean Rasmussen - 31.01.2011 - 15:42
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Kiene Brillenburg Wurth
Kiene Brillenburg Wurth works as an Associate Professor with the Department of Comparative Literature at Utrecht University. In her research, she focuses on aesthetic theory, literary theory and intermediality, especially the relations between literature and music in the 18th-, 19th-, and 20th centuries. She has published on the sublime, music, British and German Romanticism, philosohpy of art, and post-modern philosophy.
Eric Dean Rasmussen - 02.02.2011 - 15:37
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Jan Baetens
Jan Baetens is professor of cultural studies at the University of Leuven. He has
widely published (most often in French) on word and image studies, particularly
in the field of the so-called minor genres (graphic novel, photonovel,
novelization) and contemporary French writing and poetry, more specifically in
the field of constrained writing.Eric Dean Rasmussen - 04.02.2011 - 12:25
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Anne Frances Wysocki
Anne Frances Wysocki
Eric Dean Rasmussen - 10.02.2011 - 18:12
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Marc Voge
Young-Hae Chang Heavy Industries
Eric Dean Rasmussen - 12.02.2011 - 18:30
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Jessica Pressman
Jessica Pressman researches and teaches twentieth- and twenty-first century experimental American literature, digital literature, and media theory. She is currently a Fellow with the American Council of Learned Societies and a Visiting Scholar and Lecturer at UCSD. She was Assistant Professor of English at Yale University (2008-2012) and received her Ph.D. in English from UCLA (2007). Her monograph on digital poetics, Digital Modernism: Making it New in New Media, is forthcoming from Oxford University Press (2014); Reading Project: a Collaborative Interpretation William Poundstone’s Digital Literature, co-written with Mark C. Marino and Jeremy Douglass, is under contract with Iowa University Press; Comparative Textual Media: Transforming the Humanities in a Postprint Era, co-edited with N. Katherine Hayles, is forthcoming with Minnesota University Press (2013). She is currently working on a manuscript that examines the fetishization of the book object in 21st-century print and digital literary culture.
Eric Dean Rasmussen - 14.02.2011 - 09:58
