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1. David Herman

   David Herman

   Scott Rettberg - 13.01.2011 - 14:40

2. Matteo D’Ambrosio

   Matteo D’Ambrosio is Professor of History of Literary Criticism at the University of Naples Federico II. Semiotician and avant-garde historian, he has studied at Harvard University (as Fulbright Fellow); Yale University; Getty Research Institute (as Visiting Scholar), and he has been Visiting Professor of Literary Semiotics at the PUC of São Paulo. As a member of the Ministerial committee for the centenary of Futurism, between 2009 and 2011 he has participated in various symposia and events (Helsinki, Stuttgart, Tirana, Nice, Chambéry, Grenoble, Milan, Rome, Capri, Ferrara, Naples, Florence…). After six volumes on the relationships between the Futurist movement and Neapolitan culture (1990-1996), he has published Futurismo e altre avanguardie (1999); Le “Commemorazioni in Avanti” di F. T. Marinetti. Futurismo e critica letteraria (1999); Roman Jakobson e il Futurismo italiano (2009).

   Patricia Tomaszek - 13.01.2011 - 15:43

3. Cathy Marshall

   Cathy Marshall

   Jill Walker Rettberg - 14.01.2011 - 12:04

4. George P. Landow

   Before coming to Brown in 1971, Landow taught at Columbia and Chicago universities, and he has since taught at NEH summer institutes at Yale. A Fulbright Scholar, Guggenheim Fellow, and Fellow of the Cornell Society for the Humanities, he has received numerous grants and awards from NEH and NEA, and has been invited to serve as Fellow of Brasenose College, Oxford, British Academy Visiting Professor at the U. of Lancaster, Visiting Research Fellow in Computer Science at the U. of Southampton, Visiting Professor, U. of Zimbabwe, and Distinguished Visiting Professor, Shaw Professor of English and Computer Science, NUS and founding dean, University Scholars Programme, NUS. His books on Victorian literature and culture include The Aesthetic and Critical Theories of John Ruskin (Princeton UP, 1971), Victorian Types, Victorian Shadows (Routledge, 1980), Approaches to Victorian Autobiography (Ohio UP, 1979), Images of Crisis: Literary Iconology, 1750 to the Present (Routledge, 1982), Ruskin (Oxford UP, 1985), A Pre- Raphaelite Friendship (UMI, 1985), Elegant Jeremiahs: The Sage from Carlyle to Mailer (Cornell UP, 1986).

   Jill Walker Rettberg - 14.01.2011 - 12:18

5. Robert Arellano

   Robert Arellano

   Jill Walker Rettberg - 14.01.2011 - 12:52

6. Barbara Campbell

   Barbara Campbell has performed in both hemispheres, in museums, galleries, public buildings, photographs, on film, video, radio, and the internet, in silence and with words, still and moving, since 1982. She teaches at Sydney College of the Arts and is an associate artist in the Department of Performance Studies, University of Sydney.

   Scott Rettberg - 14.01.2011 - 18:24

7. Mark Jeffery

   "Mark Jeffery (B. 1973 Doveridge, UK) Performance / Installation Artist was a member of Goat Island Performance Group from 1996 - 2009. He created and performed in 5 of Goat Island works and performed these works and taught extensively across North America, teaching 10 summer schools at the School of the Art institute of Chicago and Western and Eastern Europe including Glasgow, Bristol, Aberystwyth, Berlin, Zagreb and Prague. Goat Island completed touring its last performance work The Lastmaker in February 2009. Recent performances include Chapel Hill, NC, P.S 122 NYC, MCA Chicago, Eureka Zagreb and The House of World Cultures Berlin. The company presented their penultimate work 'When Will the September Roses Bloom Last Night Was Only a Comedy' at the Venice Biennale in 2005.

   Eric Dean Rasmussen - 20.01.2011 - 16:33

8. William Cole

   William Cole

   Jill Walker Rettberg - 26.01.2011 - 23:21

9. Evan Raskob

   A University Lecturer and practicing artist whose works span the mediums of moving image, sound, installation, performance, and interactive art. Exhibitions include Waving / Drowning, a gallery show of human movements crystallized into a series of digital prints, sculptures, and interactive software, and Drawn Together, an interactive installation project exploring creative crowd sourcing in hand drawn music videos. He is an active member of both the open source and visual performance communities in London, New York, and world-wide. Evan also organizes Openlap Workshops , a regular series of workshops in free, Open Source creative technologies. Over the past year and a half, Openlab Workshops ran over 14 workshops, including regular workshops at SPACE Studios in London, a “One Button Challenge” workshop in Arduino and Processing at the AND Festival in Manchester, and an Advanced Processing workshop at the Centre for Advanced Spatial Analysis at UCL..

   Scott Rettberg - 30.01.2011 - 17:39

10. Cynthia Lawson Jaramillo

    Also known as Cynthia Lawson.
    "Cynthia Lawson Jaramillo is a digital artist, technologist and educator. She is particularly interested in reconfigurations and representations of time and space through media. Her artwork has been internationally exhibited and performed, including at Giacobetti Paul Gallery, Exit Art and HERE Arts (NYC), UCLA Hammer Museum (LA), Point Éphémère (Paris) and the Museums of Modern Art in Bogotá and Medellín (Colombia). She recently self-published “Of and In Cities,” an academically framed art book about five of her photographic projects, and “Cross Urban,” which documents the first two years of an ongoing collaboration with Klaus Fruchtnis. Cynthia has a B.S. in Electrical Engineering from Universidad de los Andes (Bogotá) and a Masters in Interactive Telecommunications (ITP) from New York University. She is currently Assistant Professor of Integrated Design in the School of Design Strategies at Parsons The New School for Design and an active member of Madarts, an arts collective in Brooklyn, NY" (www.cynthia.lawson.com(

    Eric Dean Rasmussen - 31.01.2011 - 13:17

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