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1. Postcard

   web based generative text artwork

   Simon Biggs - 21.09.2010 - 11:34

2. Incident of the Last Century 1999, Sampling Sarajevo

   Incident of the Last Century 1999, Sampling Sarajevo

   Eric Dean Rasmussen - 09.02.2011 - 14:20

3. *water writes always in *plural

   *water writes always in *plural

   Eric Dean Rasmussen - 18.02.2011 - 20:29

4. Rice

   Rice is a hypertextual anthology of poems focusing on my experience as a Western tourist in Vietnam. Issues of colonialism, war, poverty, and cultural difference arise. Technically and aesthetically, Rice belongs to an early period of web-based poetry. It uses Shockwave, popup windows, and frames. (Source: Author description from ELC 1)

   Eric Dean Rasmussen - 24.02.2011 - 19:11

5. Noon Quilt

   N_o_o_n Q_u_i_l_t is an assemblage of patches submitted by writers from around the world. Together they form a fabric of noon-time impressions. The quilts were stitched over a period of approximately five months during 1998-1999. Each contributing writer was asked to look out their window and describe what they saw. (Source: Noon Quilt site)

   Scott Rettberg - 18.03.2011 - 10:02

6. Enigma n

   Described by the author as "an online philosophical poetry toy for poets and philosophers from the age of four up." The piece jumbles the letter of the word "meaning" in space, allowing the reader to manipulate their motion in space.

   Published also on Macromedia's DHTML Zone, DOC(K)S (France), & Cauldron and Net.

   Scott Rettberg - 23.05.2011 - 13:35

7. Paddle

   “Paddle” builds upon the previous poem but emphasizing the phonic dimension of language both with the words and the animation. This poem consists of five words, only four of which we can see. The initial word establishes the setting, the second word provides a visual stream of a letter that causes and forms a new onomatopoeic word, the third word transforms the word into something else entirely but its animation focuses the frame of reference. The final word is the payoff as Hennessy creates a disconnect between the spelled word and its animation. It is by reading it aloud that we realize that the animation is referencing a homophone— the fifth word in the sequence, which is both visible, invisible, and audible.

   Truly “verbivocovisual.”

   From I ♥ E-Poetry

   Scott Rettberg - 23.05.2011 - 14:10

8. after emmett: a dispersion of ninetiles

   And's work is intended as a new-media tribute to Emmett Williams, one of the first concrete poets and a leading member of the Fluxus conceptual art movement (its adherents included Yoko Ono and the electronic-art pioneer Nam June Paik).

   The poem pays homage to Williams's own "The Voy Age," a 1975 piece composed of 100 word squares that diminish in size as the work proceeds. By the final page, the grid is so small that it appears to be a period.

   (Source: Matthew Mirapaul, The New York Times)

    

   Scott Rettberg - 23.05.2011 - 14:50

9. The Distributed Legible City

   A later version of The Legible City (1989) encompasses all the experiences offered by the original version, but introduces an important new multi-user functionality that to a large extent becomes its predominant feature. In the Distributed Legible City there are two or more bicyclists at remote locations who are simultaneously present in the virtual environment.They can meet each other (by accident or intentionally), see abstracted avatar representations of each other, and when they come close to each other they can verbally communicate with each other.

   While the Distributed Legible City shows the same urban textual landscape as the original Legible City, this database now takes on a new meaning. The texts are no longer the sole focus of the user's experience, but instead becomes the con_text (both in terms of scenery and content) for the possible meetings and resulting conversations (meta_texts) between the bicyclists. In this way a rich new space of co-mingled spoken and readable texts is generated. In other words the artwork changes from being merely a visual experience, into becoming a visual ambiance for social exchange between visitors to that artwork.

   Scott Rettberg - 24.05.2011 - 12:23

10. Le Noeud

    Le Noeud

    Eric Dean Rasmussen - 17.08.2011 - 16:04

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