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1. ilvyrgif

   I Love Yr GIF is a project based on the culture of the first wave of net art, produced entirely with animated gifs taken from personal collections such as of Jimpunk, Marisa Olson and Superbad. Inspired by the iPad zooming features, here the low tech rhyme with Wi-Fi and mobility, remixing the past and the future of the Internet in an optical black and white delirium. Browse the desktop version or access the webapp from your iPad or iPhone at: http://desvirtual.com/ilvyrgif/ (Source: author)

   Luciana Gattass - 22.01.2013 - 18:49

2. Do Computers Dream of Electronic Sheep?

   «Do Computers Dream of Electronic Sheep?» (2013) Режиссёр: Бениамин Барду. Композитор: Стив Мур музыка c альбома «Way In» (1990 - Inner Ear Recordings), CGI (буквально, «изображения, сгенерированные компьютером»): видеоигра GTA IV (Rockstar Games / Take Two Interactive)

   Это фантастический фильм с урбанистическими вставками из игры GTA. Наиболее увлекательным здесь является то, как различные визуальные эффекты создают новые эстетические формы, альтернативный мир ближайшего будущего, который объединяет прошлые и настоящие представления о нём (со страницы Искусство. Наука. Технологии)

   Natalia Fedorova - 24.01.2013 - 14:48

3. Грибница (Mycelium)

   Грибница (Mycelium)

   Natalia Fedorova - 31.01.2013 - 18:58

4. Zone

   With both protagonists of the story dead, only 90 seconds of (un)consciousness remain. Dark, immersive and fleetingly short-lived, Zone is situated within a vivid 3D world that lingers hauntingly between literature and game.

   Andy Campbell - 24.02.2013 - 11:57

5. Bruno Latourbot

   This Twitter bot provides random sentences from Bruno Latour’s published writings (translated into English). Its operations don’t seem to be entirely automatic or completely random because it doesn’t post on an exact mechanical schedule, it makes a different number of postings each day, it occasionally skips a day or two, and it doesn’t seem to repeat sentences. This suggests that there may be more than one actor in the (social) network, consisting of a text-mining program and a human being running it, selecting interesting results and posting them on Twitter. It is only fitting that this kind of cyborg bot tribute be offered to Latour, whose principle of “generalized symmetry” led him to study “the productions of humans and nonhumans simultaneously” (We Have Never Been Modern 103). (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 13.03.2013 - 01:11

6. #Hvisjegvarhvit

   #Hvisjegvarhvit (translated: #ifiwerewhite) is a norwegian hashtag that turned up in my twitter feed the evening of 19. March 2013. The twitter user @AbuHus started to post tweets about his experiences of being a colored person in Norway. His first tweet said: “#ifiwerewhite people would believe me when I say I am from Norway”. Soon several colored twitter users used the hashtag to tell stories from their lives as colored Norwegians. Through generalizing how white Norwegians act towards colored people also white Norwegians could get a feeling of how it feels to be generalized on behalf of your skin color. This wordplay shows how collaborative creativity can arise in social media based on the social relations in the Norwegian community. Among funny and entertaining tweets about being colored in Norway there is a recurring theme telling a about a reality that white Norwegians do not experience. We are not asked questions or being regarded with suspicion just because we are white. @AbuHus gave the colored Norwegians a voice which reached beyond twitter, and was noted by papers like Aftenposten and Dagbladet.

   Ingrid Dyrkolbotn - 20.03.2013 - 11:57

7. Latour Swag

   This Twitter bot produces a mashup of the “Bruno Latourbot” and original tweets that use the #swag hashtag. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 08.04.2013 - 14:10

8. Writing To Be Found In Common Tongues

   Recently, my work has been concerned with using quasi-algorithmic techniques to generate texts from the natural language processing affordances of so-called network services, such as internet search. For example, I search for short sequences of words and then, from the ‘results’ returned, I collect—as a human reader—some ‘preferred’ longer sequence that contains the sequence originally searched. I then select another short sequence of words from this result and continue, iteratively, to produce ‘writing to be found,’ composed and stitched together into extended pieces of text, substantial passages of words, that I have chosen and ‘composed,’ although they are, in every instance or event of inscription, written by someone or something other than myself. In related engagements, for the seed sequences that supply my searches, I may gather them from a text that was written by another human, from a well-known text, from one that has been ‘authored.’ I may try to find these same short sequences of words, independently and coincidentally ‘authored’ by other humans or other writing processes on the indexed network.

   Scott Rettberg - 27.04.2013 - 23:18

9. Four Guillemets

   This event investigates how one reads a literary text in the digital environment. The presentation is presented in several parts, as follows. The poem is meant to extend the idea of poetic structure from a static/print environment to the structures of digital language. It means to move it forward, not dizzied by technical effects, but along a trajectory that thoughtfully moves structures into New Media environments.

   1. A general introduction. Each part of the four-part digital poem, “Four Guillemets”, is composed in sections that vary in their content on a periodic basis, indeed during the actual reading of the text. The introduction asks participants to listen to the text and to fill out response pages. Ideas about what the text means, what lines are memorable, what the “larger” meanings of the text might be.

   Scott Rettberg - 27.04.2013 - 23:25

10. natyr

    Description from Festival Images Contre Nature, Marseille 2013: programme identité

    "natyr" est la troisième vidéo dans laquelle l'artiste norvégien Ottar Ormstad combine à de la poésie concrète, image, musique et son. Dans ce cas, la vidéo se construit sur le travail du peintre norvégien Knut Rumohr (1916-2002) ayant surtout réalisé des peintures abstraites à la tempera, inspirées par la nature d'un fjord sur la côte ouest de la Norvège. Ormstad, une fois de plus, continue de mélanger des mots de différentes langues. Un concept qu'il a présenté dans "La Non-Traduction comme Expérience Poétique" à la conférence Translating E-Lit, en 2012 à Paris. Le mot "natyr" ne peut exister dans aucune langue, mais peut être éprouvé grâce à différentes associations liées à la nature. La vidéo (HD 16:9) est faite pour une diffusion plein écran (4:45 min). Exceptée l'animation d’Ina Pillat, direction et création sont de Ormstad, photographie et musique incluses.

    Ottar Ormstad - 29.04.2013 - 15:40

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