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1. Holes

   Holes by Graham Allen is a digital poem which presents a new approach to autobiographical writing. Holes is a ten syllable one line per day poem which offers something less and something more than a window on the author’s life. Holes began on December 23rd, 2006 and is now in its sixth year of composition. Holes is a poetic vehicle for the exploration of chance, meaning, juxtaposition and language. (Source: http://holesbygrahamallen.org/about/)

   Anne Karhio - 22.01.2015 - 15:39

2. All The Delicate Duplicates

   John, a single father and computer engineer, inherits a collection of arcane objects from Mo, his mysterious Aunt. Over time, the engineer and his daughter Charlotte begin to realise that the objects have unusual physical properties – and that the more they are exposed to them, the more their realities and memories appear to change.

   “All the Delicate Duplicates traverses time and alt-realities via a layered character driven narrative world.” – Dr Andrew Burrell

   "I could lose myself in this for hours. This feels so new, unlike anything I’ve ever seen." – Beta Tester at the 2016 Game City Festival.

   “Played one of the most cerebral walking sims I've experienced yet.” – Michael Nam

   Andy Campbell - 27.06.2016 - 14:12

3. StoryFace

   "StoryFace" is a digital fiction based on the capture and recognition of facial emotions.

   The user logs onto a dating website. He/she is asked to display, in front of the webcam, the emotion that seems to characterize him/her the best. After this the website proposes profiles of partners. The user can choose one and exchange with a fictional partner. The user is now expected to focus on the content of messages. However, the user's facial expressions continue to be tracked and analyzed… 

   What is highlighted here is the tendency of emotion recognition devices to normalize emotions. Which emotion does the device expect? We go from the measurement of emotions to the standardization of emotions. 

   StoryFace was re-published in The New River in 2018.

   Carlos Muñoz - 26.09.2018 - 14:53

4. Eververse

   Eververse is a project which synthesises perspectives from disciplines in the humanities and sciences to develop critical and creative explorations of poetry and poetic identity in the digital age. Eververse sends biometric data from a fitness tracking device worn by the poet to its custom-built poetry generator. This generator utilises NLG techniques to output poetic text published in real time, and 24/7, on the Eververse website.

   Justin Tonra - 12.06.2019 - 12:59

5. The Pleasure of the Coast: A Hydro-graphic Novel

   The Pleasure of the Coast: A Hydro-graphic Novel is a bilingual web-based work in English and French. This work was commissioned by the « Mondes, interfaces et environnements à l’ère du numérique » research group at Université Paris 8 in partnership with the cartographic collections of the Archives nationales. The title and much of the text in the work détourne Roland Barthes’ The Pleasure of the Text (1973), replacing the word ‘text’ with the word ‘coast’. The images are drawn from an archive of coastal elevations made on a voyage for discovery to the South Pacific by the French hydrographer Beautemps-Beaupré (1793). In French, the term ‘bande dessinée’ refers to the drawn strip. What better term to describe the hydrographic practice of charting new territories by drawing views of the coast from the ship? In English, the term for ‘bande dessinée’ is ‘graphic novel’. In this hydro-graphic novel, Barthes’ détourned philosophy inflects the scientific and imperialist aspirations of the voyage with an undercurrent of bodily desire.

   J. R. Carpenter - 03.08.2019 - 08:09

6. Hard West Turn: 2018 Edition

   A computer-generated novel about gun violence in the United States.

   This novel in three sections follows a nameless man on a journey west. Flat, neutral-sounding declarations meander around a variety of encyclopedic topics — firearms and mass shootings, but also homosexuality, autism, and the goth subculture. The language becomes increasingly simplified and fragmented. The 2018 edition reflects current events and was generated with up-to-date text and links from some of the writers struggling the hardest to produce explanations.

   The 2018 edition went on sale July 4, 2018. Hard West Turn will be regenerated and published annually. Produced on the MIT Press Bookstore Espresso Book Machine. Edition of 13 (corresponding to the original 13 states) + 3 artist’s proofs (red, white, and blue), numbered and signed by the author/programmer.

   Nick Montfort - 06.09.2019 - 22:56

7. On the Margin of History

    

   Poem written and narrated by Mohamad Kebbewar and Natasha Boskic.
   Poem edited by Natasha Boskic.
   Photographs of Serbia, Natasha Boskic
   Photographs of Syria, sounds of bombing, Mohamad Kebbewar
   Creative Concept, Artist and Filmmaker, Mary McDonald

   Natasha Boskic - 07.09.2019 - 01:31

8. The Buoy

   “The Buoy” is a work of poetic auto-fiction that functions as a performative powerpoint presentation. Drawing inspiration from long tradition of concrete poetry, “The Buoy” is structured by a series of diagrams that strive to create a new form of language for dealing with topical political issues involving marginalized identities. The formal progression of related diagrams serves to simultaneously defamiliarize our current perceptions about language as a communications medium and to allow for new meanings and associations about language and identity to emerge. The content of the piece asks the following questions: How do we talk about things that are hard to understand? How do we talk about ourselves? How do we talk to others? How do we talk to others about ourselves? And, ultimately, how do we communicate across existing societal and political barriers? The thematics of the piece are concerned with a personal history of growing up queer in Texas, a state that remains socially conservative despite work being done to advance queer rights across the United States.

   Meredith Morran - 09.09.2019 - 22:07

9. hatchet

   hatchet    (video - 29 seconds, in color with sound)

   hatchet is a fright of fancy - a concrete poem part rage, part fear. Decapitated segments are propelled in phonetic sequences suggesting threat, violence (domestic violence, stalking, rape) and escape. Words moving, pulled, hacked, torn and swallowed in a scream and blood red tear-drop; fighting flies; a “hatchet” refrain in whispers chugging like a train or train of thought locked in madness or fear. Audio recordings of trains squealing, a girl’s metallic screams and a cloying backdrop of “Tonight You Belong to Me” sung by Patience & Prudence are used, in part, to depict the tumbling psychological confusion often resonant in these crimes (e.g., she was asking for it; I made him mad; etc.). 

    

   Hilda Daniel - 13.09.2019 - 10:21

10. Sometimes I am ...

    “Sometimes I am ...” is an interactive text/audio poetic that explores how language shapes our identity, how it can bring us together, and how it can set us on the periphery. How language and can make people and events visible and not visible. It asks the viewer/reader to consider both “What is invisible?” and “Who is invisible?”
    A beta version of “Sometimes I am …” was built in the summer of 2019 and was presented at the Media Festival and Conference of Electronic Literature in Cork, Ireland. The beta version can be viewed at http://bit.ly/iamyouare. The work was conceived of by Leanne Johnson (leannej) in collaboration with artist My Name Is Scot (audio) and Kevin MacMillan (developer).

    Leanne Johnson - 27.09.2019 - 00:19

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