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1. Alckmar Luiz dos Santos

   É natural de Silveiras, SP. Possui graduação em engenharia eletrônica, pela Universidade Estadual de Campinas (1983), mestrado em Teoria e História Literária pela Universidade Estadual de Campinas (1989) e doutorado em Estudos Literários pela Université Paris VII (1993). Atualmente é professor de Literatura Brasileira da Universidade Federal de Santa Catarina e coordenador do Núcleo de Pesquisas em Informática, Literatura e Lingüística (NUPILL, núcleo de pesquisa de excelência do CNPq, desde 2008). Foi pesquisador convidado na Université Paris 3 - Sorbonne Nouvelle (2000-2001) e na Universidad Complutense de Madrid (2009-2010). Tem experiência na área de Letras, com ênfase em Literatura Brasileira e Teoria Literária, atuando principalmente com teoria do texto, literatura e filosofia, hipertexto e texto digital, poesia. É também poeta, romancista e ensaísta.

   Eric Dean Rasmussen - 23.03.2011 - 14:15

2. New Media Creative Writing (English 5764, Fall 2007)

   New Media Creative Writing (English 5764, Fall 2007)

   Jill Walker Rettberg - 24.03.2011 - 10:50

3. Digital Arts and Culture 1999 Conference

   The Second Annual Digital Arts and Culture Conference (DAC '99) will bring artists, media practitioners, scientists, theorists, and members of industry to Atlanta, Georgia to explore established and evolving forms of digital culture.

   Keynote speakers and performers at DAC '99 include: Robert Coover, Elliott Peter Earls, N. Katherine Hayles, and Michael Joyce.

   Participants in the DAC '99 program include more than 100 scholars, artists, and performers from nearly a dozen countries.

   Many of the presentations and performances during DAC '99 were audio- or videotaped for later "webcast" over the Internet (NOTE: files now offline).

   (Source: Conference website)

   Scott Rettberg - 25.03.2011 - 16:31

4. Leevi Lehto

   Leevi Lehto

   Scott Rettberg - 28.03.2011 - 13:50

5. Isaías Herrero Florensa

   Isaías Herrero Florensa, freelance web designer, computer programmer and Professor of Creation Digital Module from the Master in the Digital Era Digital from Universitat de Barcelona.

   Scott Rettberg - 28.03.2011 - 15:12

6. Futures of Digital Studies 2010

   The conference focused on the dialogue between forms of digital literacy connected with recent technological developments in networked and programmable media in relation to human expression and forms of representation. We seek to put in conversation digital artists and digital critics in order to examine the "state of the art" of digitally mediated practices and to envision possible futures for the current overlapping platforms, software, formats, hardware and artistic processes through which we experience digital culture. The two-day conference's thematic focus on the 'literary' in the digital age was integrated with a fundamental attention to visual art, music and sound, computer science, and other aspects of digital culture through an art exhibit and a concluding roundtable videoconference session with an international group of participants.

   Maria Engberg - 28.03.2011 - 16:05

7. &NOW 2004: Festival of Writing as a Contemporary Conceptual Art

   &NOW 2004: Festival of Writing as a Contemporary Conceptual Art

   Mark Marino - 28.03.2011 - 16:19

8. Giselle Beiguelman

   Giselle Beiguelman é midiartista e professora universitária. Atua nas áreas relacionadas à criação e crítica de artemídia. É professora da FAU-USP junto à área de conhecimento de Design, no Depto. de História da Arquitetura e Estética do Projeto. Entre suas publicações recentes destaca-se: Nomadismos Tecnológicos (com Jorge La Ferla, publicado em espanhol, pela editora Ariel, e em português pela editora Senac, em 2011). Foi professora da pós-graduação em Comunicação e Semiótica da PUC-SP (2001 a 2011), curadora do Nokia Trends (2007 e 2008) e Diretora Artística do Instituto Sergio Motta (2008-2010). Membro do júri do ars electronica (Linz, Áustria, 2010 e 2011), tem diversas obras premiadas, com destaque para O Livro depois do Livro (1999), egoscópio (2002), paisagem0 (com M. Bastos e R. Marchetti) e Fast/Slow_Scapes (2007). Seu trabalho artístico aparece em antologias e obras de referência sobre arte digital como o Yale University Library Research Guide for Mass Media, Metadata (Mark Amerika, MIT Press 2007) e Digital Arts (C. Paul, Thames & Hudson, 2008), entre outras.

   Scott Rettberg - 09.04.2011 - 16:10

9. Bertrand Gervais

   Bertrand Gervais is full professor in the Literary studies Department at the University of Québec in Montréal (UQAM). He is the director of Figura, the Research Center on Textuality and the Imaginary, and of NT2, the Research Laboratory on Hypermedia Art and Literature. He teaches American literature and literary theory, specializing in theories of reading and interpretation, and on the Imaginary. He has published essays on literary reading and contemporary American literature (D. Barthelme, J. Hawkes, D. DeLillo, J. C. Oates, P. Auster, etc.), as well as French and Québécois literature (E. Carrère, M. Blanchot, P. Quignard, P. Yergeau, N. Chaurette). His last three essays have focused on the Imaginary in contemporary literature and film: on apocalyptic imagination and its relation to time and language (L’imaginaire de la fin, 2009), on Labyrinths, violence and forgetfulness (La ligne brisée, 2008), and on figures and their interpretation (Figures, lectures, 2007). He is also a novelist. His eighth novel, Comme dans un film des frères Coen (As in a Film by the Coen Brothers), was published in 2010.

   Eric Dean Rasmussen - 12.04.2011 - 10:00

10. Mary Flanagan

    Mary Flanagan is an innovator focused on how people create and use technology. Her groundbreaking explorations across the arts, humanities, and sciences represent a novel use of methods and tools that bind research with introspective cultural production. As an artist, the collection of over 20 major works range from game-inspired systems to computer viruses, embodied interfaces to interactive texts; these works are exhibited internationally. As a scholar interested in how human values are in play across technologies and systems, Flanagan has written more than 20 critical essays and chapters on games, empathy, gender and digital representation, art and technology, and responsible design. Her three books in English include Critical Play (2009) with MIT Press. Flanagan founded the Tiltfactor game research laboratory in 2003, where researchers study and make social games, urban games, and software in a rigorous theory/practice environment. She is the Sherman Fairchild Distinguished Professor in Digital Humanities at Dartmouth College.

    (Source: Artist's website)

    Scott Rettberg - 14.04.2011 - 00:25

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