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  1. Electronic Literature Organization 2002: State of the Arts Symposium

    On April 4-6, 2002, many of the leading writers, critics, publishers and readers working in the field of electronic literature gathered in Los Angeles for the first Electronic Literature Organization Symposium. Titled "State of the Arts," the symposium featured three nights and two days of readings, demonstrations, and concentrated discussions on the state of the arts of electronic literature. Major Sponsorship of the State of the Arts Symposium was provided by the Ford Foundation. Keynote speakers for the event included novelist Robert Coover, critic Katherine Hayles, and author and publisher Jason Epstein. The event was a "Symposium" in the truest sense of the word: each panel featured experts engaging in a lively interchange of ideas. These moderated discussions allowed the panelists to share their insights and engage in dialogue about their specific topic.

    (Source: Conference website, archived by the Electronic Literature Organization).

    Eric Dean Rasmussen - 10.03.2011 - 10:28

  2. Electronic Literature Organization 2012: Electrifying Literature: Affordances and Constraints

    The 2012 Electronic Literature Organization Conference will be held June 20-23, 2012 in Morgantown, WV, the site of West Virginia University. In conjunction with the three-day conference, there will be a juried Media Arts Show open to the public at the Monongalia Arts Center in Morgantown and running from June 18-30, 2012. An accompanying online exhibit will bring works from the ELO Conference to a wider audience.

    Eric Dean Rasmussen - 19.08.2011 - 13:45

  3. ELMCIP E-Literature and New Media Art Seminar

    This seminar seeks to broaden the conceptual space of media-shaped electronic literature through a ground-up conceptualisation that draws inspiration from various textual practices based on an experimental account with cyber-language at the intersection of various fields and disciplines. The seminar is structured as an event of peer-reviewed theory panels, demonstrations (including artistic performances by practitioners) and individual presentations.

    A goal of the Ljubljana seminar will be to discuss the challenges posed by new media and to situate electronic literature within a history of new media. Topics that might be addressed include:

    Eric Dean Rasmussen - 29.08.2011 - 13:17

  4. Electronic Literature Reading at the Richard Hugo House

    An evening of e-lit readings and performances at the Richard Hugo House in Seattle, Washington. The event was organized as part of the Electronic Literature Exhibition at the 2012 MLA Conference.

    Note: The actual line-up at the event different slightly from both the online description of "Readings & Performances" and that in the PDF/printed catalog for the Electronic Literature Exhibition.

    Content of 1st video: 1:50 Jason Nelson with PLAY with the last days of DRAG RACING PUPPETS, 8:11 John Cayley with Pentameters for the Disillusion of the Vectoralists, 19:30 Jim Andrews with Seattle Drift, 25:55 Erin Costello & Aaron Angello with Poemedia, 36:38 Ian Bogost with A Slow Year: Game Poems.

    Content of 2nd video: 0:01 The Good Fortune Land, 10:45 Stephanie Strickland with The Ballad of Sand and Harry Soot, 19:58 Stephanie Strickland and Nick Montfort with Sea and Spar Between, 26:00 Nick Montfort with Taroko Gorge, 29:10 Mark Sample with Takei, George, 31:00 Flourish Klink with Fred & George.

    Eric Dean Rasmussen - 23.11.2011 - 11:57

  5. Mapping E-Lit: Lectura i anàlisi de la literatura digital

    Mapping e-lit: Lectura i anàlisi de la literatura és un Congrés Internacional organitzat pel Grup de Recerca Hermeneia i la Universitat de Barcelona que se celebra a la pròpia Universitat els dies 24 i 25 de novembre de 2011.

    El Congrés vol oferir una immersió en el camp de la literatura electrònica a través de la participació i el diàleg d'especialistes nacionals i internacionals en la matèria, al mateix temps que ofereix l'oportunitat d'establir un contacte dirtecte amb els autors i crítics d'obres digitals i de conèixer la diverses pràctiques de lectura possibles.

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    Mapping E-Lit: Reading and Analysis of Digital Literature is an international conference organized by the Hermeneia Research Group and the University of Barcelona, which will take place at the University on November 24-25, 2011. 

    The conference aims to provide an immersion in the field of electronic literature through participation and dialogue with national and international specialists in the field, creating the opportunity to establish direct contact with authors and critics of digital works while getting to know various reading practices.

    Eric Dean Rasmussen - 24.11.2011 - 08:59

  6. Electronic Literature Exhibit at the 2012 MLA Convention

    A special exhibit of electronic literature at the 2012 Modern Langague Association (MLA) Convention, curated by Dene Grigar, Lori Emerson, and Kathi Inman Berens. "Electronic Literature" features over 160 works by artists who create literary works involving various forms and combinations of digital media, such as video, animation, sound, virtual environments, and multimedia installations, for desktop computers, mobile devices, and live performance. The works presented at this exhibit have been carefully selected by the curators because they represent a cross-section of born digital—that is, works created on and meaningfully experience through a computing device—from countries like Brazil, Canada, Australia, Sweden, the UK, the US, and Spain, and highlight literary art produced from the late 1980s to the present. Thus, the exhibit aims to provide humanities scholars with the opportunity to experience, first-hand, this emergent form of literature, one that we see as an important form of expression in, as Jay David Bolter calls it, this "late age of print."

    Eric Dean Rasmussen - 15.01.2012 - 12:03

  7. Фестиваль поэзии на острове | эпизод: Новая Голландия

    Очередной эпизод Фестиваля поэзии на острове — при поддержке культурного пространства «Новая Голландия» и на одноименном острове. Предыдущие эпизоды Фестиваля («Цистерны», «Отмель» и «Канал») проходили на протяжении последних трех лет в разных частях Канонерского острова и являлись экспериментами по приданию поэзии публичного измерения. (сайт Транслита) Из кураторского текста: <...> у поэзии, долгое время заточенной в своей дисциплинарной автономии, много общего с судьбой острова, на котором томился то ли лес, приготовленный для строительства кораблей, но так и не пущенный в дело, то ли заключенные морской тюрьмы. Известно, что еще в начале века с острова был пущен и первый радиосигнал, но, похоже, он так и не был никем получен. Только сегодня, в начале XXI века, рукотворный остров петровских времен становится публичным пространством, тогда же когда и поэзия стремится распахнуть свои рукотворные чудеса для широкой интересующейся аудитории — при сохранении характерных для нее сложности и неоднозначности, а также выйти из «тюрьмы языка» — навстречу междисциплинарным практикам видео, инсталляции и перформинга.

    Natalia Fedorova - 23.01.2013 - 20:39

  8. Cyberfest

    CYBERFEST is the first and only Russian International festival for cybernetic art (which combines living, biological and somatic substances with computational and technical), held annually since 2007.

    This year the festival is attended by more than 80 artists and art professionals from 20 countries (Russia, France, Belgium, Canada, Italy, Germany, Austria, the USA, Mexico, Brazil, Argentina, Finland, Sweden, Lithuania, Poland, Belarus, Ukraine , Philippines, etc.), and the program includes:

    — an exhibition (of media objects and media installations);
    — live performances;
    — sound and video art programs;
    — an educational program (with lectures, workshops, master classes);
    — an Internet conference;
    — a concert.

    Natalia Fedorova - 29.01.2013 - 21:13

  9. E-Lit for Children

    Children seem to get e-lit long before their parents do. The idea that books might become magical or that poems might leap to life just makes sense to kids. So why not help them write it? One reason that is obvious to anyone who has written an unfinished overly ambitious branching narrative is that's it's easy to create a combinatoric nightmare or to end up with a terrible tangle of branches, leaving no time to create the text. Another reason is building these magic books takes a bit of technological knowledge that these digital-natives for some reason don't have from the womb (no fault of the womb). In this workshop, aimed at children, educators, and adult children, I will walk a group through the making of a choice-based micro-adventure using either Undum or Inkle. The goal will be to dive straight into the e-lit waters by writing a shared narrative within some tight constraints that ensure we will produce a story within the allotted time.

    (Source Authors Abstract)

    Sumeya Hassan - 17.02.2015 - 15:43

  10. Fourteen recipes for a sonnet

    This paper discusses a semester-long classroom project in which senior seminar students were required to take Shakespeare’s Sonnet 14 and convert it into various media objects and texts. The assignments made use of Ian Bogost’s “procedural rhetoric” (“a type of rhetoric tied to the core affordances of computers: running processes and executing rule-based symbolic manipulation”), assigning tasks based on the core concepts of “encoding” and “algorithm.” Some objects were electronic (music, twitter feeds) while the majority were physical objects, but they all made use of a procedural rhetoric sketched out by the original shape of the sonnet itself and the long tradition of scanning poems. In doing so, the objects produced force us to ask: where, exactly, do we “hold the light”? Is it e-lit if there’s no “e”?

    (Source Abstract Author)

    Sumeya Hassan - 26.02.2015 - 21:09

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