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1. Review of A Companion to Digital Literary Studies

   Scott Hermanson considers the Companion's success in negotiating its own position between digital literature and print media. (Source: Electronic Book Review)
    

   Eric Dean Rasmussen - 10.03.2011 - 12:37

2. Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl

   Landow, who praises Patchwork Girl as "the finest hypertext fiction thus far to have appeared," appreciates Jackson's mastery of hypertextual collage, which reveals, he suggests, how analogous techniques are at play when we conceptualize our gendered identities.   (Source: Eric Dean Rasmussen)

   Eric Dean Rasmussen - 11.03.2011 - 16:11

3. Review of From Papyrus to Hypertext: Toward the Universal Digital Library

   In forty pithy essays, the author considers technological innovations that have transformed writing, altering the activity of reading and the processing of texts, individually and collectively. . . . The book's fragmentary organization--the adroit syntheses can be read in any order--makes it exceptionally accessible . . . for the born-digital generation. . . . Essential.

   Eric Dean Rasmussen - 24.03.2011 - 15:57

4. In Search of Novel Poetic Territories: On Media Poetry: An International Anthology

   In Search of Novel Poetic Territories: On Media Poetry: An International Anthology

   Eric Dean Rasmussen - 07.04.2011 - 12:14

5. (Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review

   (Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review

   Patricia Tomaszek - 06.05.2011 - 19:29

6. What is the Point of Compulit?

   A review article of Littérature et informatique. La littérature générée par ordinateur, eds. Alain Vuillemin and Michel Lenoble (Artois Press Université, 1995). (Literature and Informatics. Computer-generated Literature). The discussion of the contributions gathered in this anthology leads to a taxonomy of computer-generated texts based on three main categories: utilitarian (the automated production of texts [such as news summaries] to save human time); cognitive (story-generation conceived as an exploration of creative mechanisms [James Meehan's Tale-Spin]) and aesthetic-experimental (the attempt to produce new literary genres). The experimental category is divided into texts meant to be printed, and texts that exist exclusively in the electronic medium: games, hypertexts, and animated texts ("cyberpoetry"). All of these texts are produced in a collaboration human-machine in which, as Espen Aarseth observes, the computer can play three roles: pre-processor (plot-outline generation), co-processor (dialogue computer-user, such as the ELIZA program), or post-processor (staging and manipulation of texts written by a human). (Source: Author's website)

   Scott Rettberg - 20.05.2011 - 10:30

7. A Poetic Homage -- of the 3-Letter, 3-Word Variety

   A review of mIEKAL aND's "after emmett: a dispersion of ninetiles."

   Scott Rettberg - 23.05.2011 - 14:59

8. Multimedia, Multiculturalism, Language and the Avantgarde

   This review gives a thorough account on the festival; it was originally written for the Mailinglist of the Institue for Distributed Creativity (IDC).

   Patricia Tomaszek - 25.05.2011 - 16:22

9. A community so well-versed in the other possibilities of the computer: On the tenth anniversary of the Electronic Poetry Festival

   A community so well-versed in the other possibilities of the computer: On the tenth anniversary of the Electronic Poetry Festival

   Scott Rettberg - 27.05.2011 - 22:53

10. Digital Criticism is Coming of Age: Reading Moving Letters – A Review

    Digital Criticism is Coming of Age: Reading Moving Letters – A Review

    Jörgen Schäfer - 28.06.2011 - 15:02

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