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The Sentient Sign
The Sentient Sign
Simon Biggs - 21.09.2010 - 11:26
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Scott Rettberg’s Writerly Text, “The Meddlesome Passenger”: Reading as Writing/Consumption as Production
A reading of Rettberg's "The Meddlesome Passenger" as a postmodern metafiction, in Roland Barthes' terms of the "writerly" text.
Scott Rettberg - 25.03.2011 - 10:41
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Hyperfiction: Novels for the Computer
Coover's second significant New York Times' Books article reviewed contemporary hypertexts most substantially including Stuart Moulthrop's Victory Garden, as examples of works that have "printbound analogues" but suggested that new narrative forms were beginning to emerge.
Scott Rettberg - 06.09.2011 - 13:38
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Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction
Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction
Patricia Tomaszek - 16.03.2012 - 15:47
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Literary Machines: The report on, and of, Project Xanadu concerning word processing, electronic publishing, hypertext, thinkertoys, tomorrow's intellectual revolution, and certain other topics including knowledge, education and freedom
Literary Machines: The report on, and of, Project Xanadu concerning word processing, electronic publishing, hypertext, thinkertoys, tomorrow's intellectual revolution, and certain other topics including knowledge, education and freedom
Scott Rettberg - 09.01.2013 - 10:34
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Hypertext: a Psychological Perspective
While the ideas underlying hypertext have been around for a long time, it is only comparatively recently that the availability of powerful desktop microcomputers has enabled hypertext systems to become commercially viable tools. While developments in hypertext in recent years have been very much technology-oriented, interest is now centring on the effects of the technology from a human psychological perspective.
Written by leading figures in the field the authors look at the psychological considerations such as memory, education and navigation underlying the design of hypertext systems. Addressing itself to the full range of psychological issues, with direct reference to practical applications, this book places the technology within the domain of human activities and thereby provides a broader perspective on the role and value of emerging information systems.
Readership: Researchers, postgraduates and senior-level undergraduates in psychology and cognitive science. Also of interest to students and researchers in information science, computer science, ergonomics, software design, educational technology and human factors.
Contents
Scott Rettberg - 30.06.2013 - 20:08
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Space -- The Final Chapter or Why Physical Representations are not Semantic Intentions
Space -- The Final Chapter or Why Physical Representations are not Semantic Intentions
Scott Rettberg - 30.06.2013 - 20:13
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Magister Macintosh
Magister Macintosh
Jill Walker Rettberg - 02.07.2013 - 13:27
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The Electronic Word: Democracy, Technology, and the Arts
The personal computer has revolutionized communication, and digitized text has introduced a radically new medium of expression. Interactive, volatile, mixing word and image, the electronic word challenges our assumptions about the shape of culture itself.
This highly acclaimed collection of Richard Lanham's witty, provocative, and engaging essays surveys the effects of electronic text on the arts and letters. Lanham explores how electronic text fulfills the expressive agenda of twentieth-century visual art and music, revolutionizes the curriculum, democratizes the instruments of art, and poses anew the cultural accountability of humanism itself.
(Source: Publisher's catalogue copy)
Contents
Scott Rettberg - 07.07.2013 - 21:20
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Offene Texte und nicht-lineares Lesen. Hypertext und Textwissenschaft
Offene Texte und nicht-lineares Lesen. Hypertext und Textwissenschaft
Scott Rettberg - 20.08.2013 - 10:39
