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1. 2009: David Clark’s 88 Constellations for Wittgenstein

   2009: David Clark’s 88 Constellations for Wittgenstein

   Ana Castello - 03.10.2018 - 18:17

2. Living Letterforms: The Ecological Turn in Contemporary Digital Poetics

   Living Letterforms: The Ecological Turn in Contemporary Digital Poetics

   Ana Castello - 16.10.2018 - 17:56

3. Netprov - Networked Improv Literature

   Netprov - Networked Improv Literature

   Ana Castello - 29.10.2018 - 15:57

4. on “e-literature” as a field

   on “e-literature” as a field

   Gesa Blume - 17.09.2019 - 15:31

5. Chinese Literature's Transformation and Digital Existence in the New Century

   The reform ignited by digital media provided strong impetus to literary transformation at the turn of century in China. The market‐led rise of online literature has destroyed the balance of traditional literature and resulted in a fundamental digital readjustment of the overall literary structure. The fourth medium, with its irresistible technological force, has led to a large‐scale literary shift towards “being digital,” thereby changing literary traditions of existence and expression. Such being the case, we need to clarify digital media's dual function of “deconstruction” and “construction” in this literary shift so as to input new ideas from a different academic perspective into literary theory of the digital era, turn digital media's challenge to tradition into a chance for literary innovation and make the new media into a powerful driving force and effective resource for Chinese literature in the new century.

   Jill Walker Rettberg - 18.09.2020 - 09:58

6. Metalepsis in Popular Culture

   'Narrative studies have considered metalepsis so far largely as a phenomenon of postmodern or avant-garde literature. Metalepsis in Popular Culture investigates metalepsis’ ties to the popular and traces its transmedial importance through a wealth of examples from the turn of the 20th century to this day. The articles also address larger issues such as readerly immersion, the appeal of complexity in popular culture, or the negotiation of fiction and reality in media, and invite readers to rethink these issues through the prism of metalepsis.'

   (Source: from book description)

   Agnete Thomassen Steine - 22.09.2021 - 12:44

7. Des figures de manipulation dans la création numérique

   Les créations numériques en ligne, qu’il s’agisse de bannières publicitaires, de littérature ou d’art numériques, reposent souvent sur des manipulations de la part du lecteur (par exemple déplacer un élément à l’écran, activer un lien, entrer du texte au clavier). Nous manquons néanmoins d’outils, notamment sémiotiques et sémio-rhétoriques, pour analyser le rôle de ces gestes de manipulation dans la construction du sens. Dans cet article, nous proposons un modèle d’analyse en cinq niveaux. Ce modèle distingue notamment des unités sémiotiques de manipulation et des couplages média. Ces couplages donnent naissance à des figures que nous appelons figures de manipulation.

   Kira Guehring - 22.09.2021 - 12:51

8. What Is Fanfiction and Why Are People Saying Such Nice Things about It?

   "What Is Fanfiction and Why Are People Saying Such Nice Things about It?" gets into what fanfiction and how it works online as well as  literary and narrative theory, ethnography, feminism and queer theory, and cultural studies. The article also gets into the values of creative work made by fans.

   Caroline Tranberg - 24.09.2021 - 01:23

9. From (w)reader to breather: Cybertextual de-intentionalisation in Kate Pullinger et al.’s Breathing Wall

   The aim of this paper is to investigate and exemplify a recent phenomenon in the practice of digital narrative, which engages creatively with the interplay between intentionality and corporeality in the reading process. Drawing on Espen Aarseth's (1997) alternative communication model, I introduce the concept of 'cybertextual retro-intentionalisation'. This concept refers to a hitherto unforeseen kind of transmedial and multimodal 'reading' that is governed by corporeal processes operating in competition with mental forces.

   (Source: summary from researchgate.net)

   Caroline Tranberg - 28.09.2021 - 01:04

10. From Diversion to Subversion: Games, Play, and Twentieth-century Art

    Games and play occupied a central, if misunderstood, role in modern art in the twentieth century. Many art-historical narratives have downplayed the ways in which artists returned to play and to games as analogues to art practice, as metaphors for creativity, or as models for art criticism. The essays collected in this volume investigate the fundamental importance of supposedly nonserious activity and attend to the ways in which artists used play and games in order to reconsider their practice and to expand their critical strategies. With subjects ranging from early twentieth-century manifestations of games and play in Surrealism, Duchamp, Picasso, and Bauhaus photography to their repercussions in Fluxus, performance, public practice, and new media, these essays establish the diversity and potential of games and play and point toward an alternate trajectory in the development of modern art. (Taken from psupress)

    Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 22:32

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