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1. "No Preexistent World": On "Natural" and "Artificial" Forms of Poetry

   Peter Gendolla pursues a paradox accompanying the literary avant-garde from Romanticism to the most current electronic installations; namely, that they want to bring back the cold, dead culture into “natural” life and that they are doing this with the most advanced technological procedures. They become more and more “technical” with the impulse not only to dissolve the division of the genres but also to transfer art at least by way of literary means into “natural” forms of life; thus, they are continually developing new forms of aesthetic difference that have to be differentiated from either nature or culture.

   Scott Rettberg - 24.05.2011 - 11:43

2. Grafik Dynamo (Catalog)

   Catalog published by The Prairie Art Gallery, with funding from the Andy Warhol Foundation for the Visual Arts, featuring a printed sample of panels from the net art work Grafik Dynamo and a critical essay, "Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippett,"  by the literary and media-arts scholar Joseph Tabbi. Tabbi argues that Grafik Dynamo, like Scott McCloud's book Understanding Comics, enables readers to recognize how perception works and why a reduction of sense experience is necessary for the development reflection, communication, meaning, and narrative.

   Eric Dean Rasmussen - 25.05.2011 - 11:37

3. Dichtung Digital 29

   The papers in this issue reveal a range of conceptions of code. The reading here is doubly satisfying, not only for the clear presentations of these engaging projects, but for the sense of code as undercurrent, the way encoding, language, and artistic expression are separate undertakings, but inescapably intertwined.

   (Source: Editorial)

   Patricia Tomaszek - 27.05.2011 - 23:18

4. Exchange on Curriculars (2003)

   Exchange on Curriculars (2003)

   Eric Dean Rasmussen - 30.05.2011 - 11:40

5. Riding the Meridian

   Riding the Meridian

   Eric Dean Rasmussen - 30.05.2011 - 11:44

6. Deeper into the Machine: The Future of Electronic Literature

   N. Katherine Hayles's keynote address for the 2002 State of the Arts Symposium at UCLA. Hayles identifies two generations of electronic literature: mainly text-based works produces in Storyspace and Hypercard until about 1995-1997, and second-generation works, mainly authored in Director, Flash, Shockwave and XML in years after that. She identifies second-generation works as "fully multimedia" and notes a move "deeper into the machine." She then reads a number of second-generation works in the context of their computational specificity.

   Publication note: Also published online in Culture Machine Vol. 5 (2003)

   Scott Rettberg - 30.05.2011 - 12:38

7. Digital Arts and Culture 2000 Conference

   The third conference in the Digital Arts and Culture series was held at the University of Bergen. The conference chair was Jan Rune Holmevik. In addition to the electronic literature-related events, there were a number of digital arts performances not listed here as well as presentations on digital culture in a broader sense. Please see the conference website for a full list. Abstracts are not available for most presentations.

   Scott Rettberg - 30.05.2011 - 14:03

8. Vniverse

   The authors of Vniverse present the work Vniverse and explore the concepts of interactive reading and social reading spaces.

   Eric Dean Rasmussen - 30.05.2011 - 21:23

9. International Workshop on Databases and Bibliographic Standards for Electronic Literature

   This Consortium for Electronic Literature (CELL) workshop presents international projects that document, curate, and present research on electronic literature: born-digital literary forms such as hypertext fiction, kinetic poetry, interactive drama, location-based narrative, multimedia literary installations, and other types of poetic experiences made for the networked computer.

   Since June of 2010, as part of the HERA-funded ELMCIP Project, the University of Bergen's Electronic Literature Research Group has been developing the ELMCIP Knowledge Base (http://elmcip.net/knowledgebase), a platform positioned to become one of the leading research tools in this area of the digital humanities.

   The primary goal of the workshop is to bring together members of several international projects working on the documentation of electronic literature. Representives of projects from the United States, Canada, Portugal, Germany, Spain, Australia, and Norway will gather to pubicly present work on their projects, and to discuss how to best establish an international research infrastructure for the field.

   Eric Dean Rasmussen - 13.06.2011 - 09:48

10. …ha perdut la veu: Some reflections on the composition of e-literature as a minor literature

    This article has two objectives. One is to give a clear example of the way in which practice and theory, or rather practice-as-research, can exist in a symbiotic relationship – each benefiting and illuminating the other. The second aim is to propose and map out an area of potential further research into the discursive positioning of e-literature. It draws on some of the thinking of Deleuze and Guattari around language and literature, in particular as it is articulated through a reading of them by Jean-Jacques Lecercle. In this respect it should be seen as a point of departure, not a presentation of findings. The article is an extended version of one I gave at Kingston University as part of the From Page to Screen to Augmented Reality Conference. The original article was designed to be delivered in conjunction with a video of a digital text work in performance. For this context I have taken some screenshots of that video and added them to the article. They will at least provide some sense of how the digital text work is displayed and how it functions.

    Source: author's abstract

    Jerome Fletcher - 17.06.2011 - 12:09

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