Search

Search content of the knowledge base.

The search found 62 results in 0.009 seconds.

Search results

  1. All Together Now: Collective Knowledge, Collective. Narratives, and Architectures of Participation

    This essay is an exploration of the history and methodologies of collective narrative projects, and their relationship to collective knowledge projects and methodologies. By examining different forms of conscious, contributory, and unwitting participation, the essay attempts to develop a richer understanding of successful large-scale collaborative projects. The essay then examines large-scale architectures of participation in Wikipedia and Flickr to extrapolate from those observations potential methodologies for the creation of collective narratives.

    (Source: Author's abstract)

    Scott Rettberg - 26.03.2011 - 18:08

  2. A Subjective Chronology of Cybertext, Hypertext, and Electronic Writing

    A timeline of events and publications relating to creative work in hypertext and new media, admittedly subjective, but providing a view of the field as seen by one of the pioneers in the field of electronic literature.

    Jill Walker Rettberg - 04.04.2011 - 20:27

  3. Strange Rain and the Poetics of Motion and Touch

    Mark Sample provides a close-reading of one work that takes advantage of the “interface free” multitouch display: released in the last year, “Strange Rain” is an experiment in digital storytelling for Apple iOS devices (the iPhone, iPod Touch, and iPad) designed by new media artist Erik Loyer.

    Eric Dean Rasmussen - 05.10.2011 - 09:56

  4. Continuous Paper: Print Interfaces and Early Computer Writing

    Paper written for ISEA 2004 in Helsinki, on August 20, 2004 (Scott Rettberg presented). The investigation into early computer writing starts with the observation that "early interaction with computers happened largely on paper: on paper tape, on punchcards, and on print terminals and teletypewriters, with their scroll-like supplies of continuous paper for printing output and input both." Montfort traces back history and challenges the "screen essentialist" assumption about computing.

    Patricia Tomaszek - 20.01.2012 - 23:39

  5. Continuous Paper

    Work in progress, presented at the History of Material Texts workshop at the University of Pennsylvania 23 February 2004 (references therefore are omitted).

    Montfort investigates into human-computer interaction before the screen and questions "how early print-based interfaces inform our understanding of print and paper metaphors in current computer interfaces."

    Patricia Tomaszek - 20.01.2012 - 23:59

  6. Wszyscy jesteśmy cyborgami

    Wszyscy jesteśmy cyborgami

    Patricia Tomaszek - 02.02.2012 - 22:01

  7. Grammars for Generative Art (Part III)

    Part three of a mini-series on using grammars as generators: Part I was about Context-Free Grammars and natural language parsing. Part II was about Lindenmeyer systems, Context Free design grammars, and Structure Synth. This third part is about generative poetry and Tree-Adjoining Grammars. Part IV will be about Style Grammars and Shape Grammars.

    Source: Author´s Website

    Patricia Tomaszek - 03.02.2012 - 12:42

  8. Benchmark Fiction: A Framework for Comparative New Media Studes

    Benchmark Fiction: A Framework for Comparative New Media Studes

    Eric Dean Rasmussen - 16.02.2012 - 13:42

  9. The Cape: The Backstory

    The Cape: The Backstory offers background information about the conceptualization, creation, dissemination of The Cape, a work of digital literature created by J. R. Carpenter in 2005.

    J. R. Carpenter - 02.04.2012 - 11:47

  10. Reading Hypertext: Reading Blue Hyacinth

    Reading Hypertext: Reading Blue Hyacinth

    Patricia Tomaszek - 04.05.2012 - 13:54

Pages