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  1. Dali Clocks: Time Dimensions of Hypermedia

    Stephanie Strickland investigates an epistemological shift in web-specific art and literature, from an understanding that is less about structure and more about resonance. (Source: ebr) Artists discussed include: Tom Brigham, Jim Rosenberg, Mary Anne Breeze (mez), Noah Wardrip-Fruin, Lisa Jevbratt, and Edardo Kac.

    Eric Dean Rasmussen - 08.07.2011 - 11:43

  2. Reconfiguring the Author: The Virtual Artist in Cyberspace (Keynote Address)

    In this presentation, Mark Amerika will discuss the state of narrative art in online culture. The presentation will highlight issues that concern all artists working on the Internet today including the slippery tensions between text and image, the desire to pioneer new modes of interventionist cultural production and distribution, the problematization of the "individual artist/author as genius" model, and the blurring of the lines between art, entertainment and what the corporate media industry likes to call content.

    Jill Walker Rettberg - 09.10.2012 - 22:05

  3. New Media, New Historicisms

    New Media, New Historicisms

    Jill Walker Rettberg - 09.10.2012 - 22:07

  4. Play On: Plot and Pause Points in Hypermedia Narrative

    Play On: Plot and Pause Points in Hypermedia Narrative

    Jill Walker Rettberg - 09.10.2012 - 22:09

  5. Rhythms of Technology

    Rhythms of Technology

    Jill Walker Rettberg - 09.10.2012 - 22:10

  6. When Digital Literature goes Multimedia: Three German Examples

    In February 2000 Robert Coover noticed the "constant threat of hypermedia: to suck the substance out of a work of lettered art, reduce it to surface spectacle". Coover's message seems to be: When literature goes multimedia, when hypertext turns into hypermedia a shift takes place from serious aesthetics to superficial entertainment. What Coover points out is indeed a problem of hypermedia. If the risk of hyperfiction is to link without meaning, the risk of hypermedia is to employ effects that only flex the technical muscles. Can there be substance behind spectacle? In this paper I discuss three examples of German digital literature which combine the attraction of technical aesthetics with the attraction of deeper meaning.

    Jill Walker Rettberg - 09.10.2012 - 22:12

  7. Cultural Narrative in Augmented Reality

    Cultural Narrative in Augmented Reality

    Jill Walker Rettberg - 09.10.2012 - 22:14

  8. What are writers doing on the net?

    What are writers doing on the net?

    Jill Walker Rettberg - 09.10.2012 - 22:18

  9. Using HCI Techniques To Make Digital Art More Ergodic

    Using HCI Techniques To Make Digital Art More Ergodic

    Jill Walker Rettberg - 09.10.2012 - 22:20

  10. Reading-View(s)ing the Über-box: a critical view on a popular prediction

    Reading-View(s)ing the Über-box: a critical view on a popular prediction

    Jill Walker Rettberg - 09.10.2012 - 22:20

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