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Corporate Text Cannibal
The work presented a remix of academic texts devoted to creative cannibalism championed by scholars such as Roberto Simanowski and Chris Funkhouser; another scholarly topic remixed was remixology in reference to Mark Amerika. All textual sources together with lyrics by Grace Jones ("Digital Cannibal") were cannibalized into a poem written by the author. It was performed timely filling Jones' refrain, while a number of minimized browser-windows scattered over the projected wall screened the music-video upon deferred-activation.
Patricia Tomaszek - 03.09.2012 - 16:52
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Rockface II
Rockface II revisions the classic landscapes of the Canadian Rockies, using transition to systematically deconstruct and recombine the mountain scenery. In the process, the work explores concepts of pictorialism, scale, time and metamorphosis. At the same time, it examines liminality of narrative through the introduction of subtly embedded human imagery.
Jill Walker Rettberg - 09.10.2012 - 21:42
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Dandelion Chance
Dandelion Chance
Scott Rettberg - 20.10.2012 - 15:41
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G-LINIE HTML
Commissioned to work on as a digital engagement with Eugen Gomringer by the Poesiewerkstatt Berlin. Each browser has a function that can show the source text of every retrieved website. Thus, the internet user can always see how a specific website has been programmed. That’s what G-Linie HTML plays with. Websites are layed out with HMTL-Tags. This includes for example the tag-pair
Johannes Auer - 05.11.2012 - 12:56
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Anfipoemas
2000 visual poems with the words LUZ (light) and COR (color) created by Regina Pouchain and Wlademir Dias-Pino using Adobe Photoshop.
Luciana Gattass - 28.11.2012 - 13:15
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Datafeeds
Datafeeds is a short (21 node) exploration of a single incident in three universes (hearing, sight, and feeling). You can follow the story by clicking on the braid, the page numbers, or the connecting thoughts.
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Artist's statement:
Hypertext/new media writing/electronic literature is first and foremost an exploration into possibilities. What if links can hold meaning—from emphasizing the "anchor" word or image (the place to click on the link) to coloring the destination? (Of course, many systems held out for multiple types of links—where we see a difference in causal, direct, conditional, etc links—and what would happen if artists and writers got their hands on those kinds of links?) What would happen if text could move—even to surround the reader’s body? (Caves and other holographic technologies make this possible.) What would happen if text and sound and images were inextricably bound together in an orgy of meaning?
Scott Rettberg - 08.01.2013 - 11:04
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Backbeat
Backbeat
Jeneen Naji - 08.01.2013 - 15:32
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In praise of an elevator
In praise of an elevator
Jeneen Naji - 08.01.2013 - 15:57
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A Servant. A Hanging. A Paper House.
A Servant. A Hanging. A Paper House.
Jeneen Naji - 08.01.2013 - 16:02
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The Burning
The Burning
Jeneen Naji - 08.01.2013 - 16:08