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Dichtung Digital
Journal on digital aesthetics, edited by Roberto Simanowski. Dichtung Digital features articles by artists as well as scholars on digital literature and art. It was founded in 1999 and ran to 36 issues by the year 2007, with ten contributions per issue. The journal contents can be gleaned by browsing the newsletters (one per issue) and abstracts for each contribution, and there is also an comprehensive index of contributions and contributors.
Patricia Tomaszek - 14.09.2010 - 17:32
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Cybertext Yearbook
Founded as an academic print publication by Markku Eskelinen and Raine Koskimaa in 2000, the Cybertext Yearbook has been freely available online in PDF since 2007. Since 2003 the volumes have been mainly theme based. Despite the name the volumes do not necessarily appear annually. (Note: Individual volumes of Cybertext Yearbook are listed as book collections in the ELMCIP Knowledge Base).
The Cybertext Yearbook -julkaisusarja käynnistyi vuonna 2000. Vuodesta 2003 lähtien yksittäiset numerot ovat keskittyneet tiettyyn teemaan. Päätoimittajina toimivat Markku Eskelinen ja Raine Koskimaa. Teemanumeroilla on usein myös vieraileva toimittaja. Nimestään huolimatta julkaisuja ei välttämättä ilmesty vuosittain.
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Patricia Tomaszek - 14.09.2010 - 17:39
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The Dreamlife of Letters
A Flash animation, based on a text by Rachel Blau DuPlessis, that attempts to explore the ground between classic concrete poetry, avant-garde feminist practice, and "ambient" poetics (that's really just plain fun to watch).
(Source: Author's Description from ELC Vol. 1)
Patricia Tomaszek - 16.09.2010 - 16:54
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Lexia to Perplexia
Author description: Lexia to Perplexia is a deconstructive/grammatological examination of the "delivery machine." The text of the work falls into the gaps between theory and fiction. The work makes wide use of DHTML and JavaScript. At times its interactive features override the source text, leading to a fragmentary reading experience. In essence, the text does what it says: in that, certain theoretical attributes are not displayed as text but are incorporated into the functionality of the work. Additionally, Lexia to Perplexia explores new terms for the processes and phenomena of attachment. Terms such as "metastrophe" and "intertimacy" work as sparks within the piece and are meant to inspire further thought and exploration. There is also a play between the rigorous and the frivolous in this "exe.termination of terms." The Lexia to Perplexia interface is designed as a diagrammatic metaphor, emphasizing the local (user) and remote (server) poles of network attachment while exploring the "intertimate" hidden spaces of the process.
(Source: Author's description from Electronic LIterature Collection, Volume 1)
Patricia Tomaszek - 16.09.2010 - 17:11
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The Prime Directive/Primärdirektivet
Online work, in two parts + intro. Main themes: science fiction, nature. First published in 2006 by danish website Afsnit P. In the intro two books are slowly rotating, when clicking on them they each lead to one of the main parts of the piece: The Path of the Fragment and The Prime Directive. The images and texts in these are of a dark sci-fi nature, the soundtrack ambient and droney.
Patricia Tomaszek - 16.09.2010 - 17:35
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Hyperrhiz: New Media Cultures
In close affiliation with Rhizomes: Cultural Studies in Emerging Knowledge, a parent journal of Hyperrhiz, this site hosts experimental web-based projects. Hyperrhiz also provides a forum for the presentation of electronic installations, games, and performances through the use of archival video, photo, and text documentation. It is a peer-reviewed online journal of net art and electronic literature that is published twice yearly. The editor's interest lies "in the genres of electronic discourse, and how these formats might affect the expression of complex discourses within new media." Hyperrhiz welcomes submissions of net-ready art projects, electronic literature works, and review essays. As the journal's name suggests, works written in the spirit of Deleuzian approaches are welcomed but not required.
Patricia Tomaszek - 17.09.2010 - 15:36
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Transcript
Publishing house with an emphasis on culture and media studies (among others). Books are distributed in the USA through Transaction Publishers.
Patricia Tomaszek - 17.09.2010 - 21:24
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The Jew's Daughter
The Jew's Daughter is an interactive, non-linear, multivalent narrative, a storyspace that is unstable but nonetheless remains organically intact, progressively weaving itself together by way of subtle transformations on a single virtual page.
(Source: Authors' description from ELC 1.)
Patricia Tomaszek - 17.09.2010 - 21:56
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To Touch
It may seem paradoxical to create an online work on touching. One cannot touch directly: in this case touching requires a mediating tool such as a mouse, a microphone or a webcam. This touching experience reveals a lot about the way we touch multimedia content on screen, and maybe also about the way we touch people and objects in everyday life. The internet user has access to five scenes (move, caress, hit, spread, blow), plus a sixth one (brush) dissimulated in the interface. She can thus experience various forms and modalities of touching: the erotic gesture of the caress with the mouse; the brutality of the click, like an aggressive stroke; touching as unveiling, staging the ambiguous relation between touching and being touched; touching as a trace that one can leave, as with a finger dipped in paint; and, touching from a distance with the voice, the eyes, or another part of the body. This supposedly immaterial work thus stages an aesthetics of materiality.
(Source: Author's description from Electronic Literature Collection, Volume Two)
Patricia Tomaszek - 17.09.2010 - 22:09
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Electronic Book Review (ebr)
Electronic Book Review (ebr) is a peer-reviewed journal of critical writing produced and published by the emergent digital literary network. Although ebr threads include essays addressing a wide range of topics across the arts, sciences, and humanities, ebr's editors are particularly interested in critically savvy, in-depth work addressing the digital future of literature, theory, criticism, and the arts
Eric Dean Rasmussen - 21.09.2010 - 11:24
