Search

The search found 10 results in 0.008 seconds.

Search results

1. The Precession

   The Precession is a data-driven networked poem being developed simultaneously as both a large-scale installation and live performance. The work makes use of original writing and real-time data collection to create visual-poetic arrangements based on inquiries into architecture and the night sky. The piece mixes databased sources, real-time interruptions, and algorithmic composition in an evolving ecology.

   The Precession considers as a primary source Oskar J.W. Hansen's sculpture Winged Figures of the Republic permanently installed at the Hoover Dam. Hansen's 1935 work commemorates the building of the dam and includes a complex celestial map. Beginning with the date of the dam's dedication, the map contains the data for someone skilled in astronomy to accurately trace the position of the polestar each subsequent night for the next 26,000 years.

   The online work, in its current state of development, is mainly time-based taking approximately 20 minutes (with links to individual areas also accessible).

   Eric Dean Rasmussen - 24.01.2011 - 17:46

2. Sea and Spar Between

   Sea and Spar Between is a poetry generator which defines a space of language populated by a number of stanzas comparable to the number of fish in the sea, around 225 trillion. Each stanza is indicated by two coordinates, as with latitude and longitude. The words in Sea and Spar Between come from Emily Dickinson’s poems and Herman Melville’s Moby Dick. Certain compound words (kennings) are assembled from words used frequently by one or both. Sea and Spar Between was composed using the basic digital technique of counting, which allows for the quantitative analysis of literary texts.

   (Source: Authors' abstract at Dear Navigator)

   Scott Rettberg - 16.03.2011 - 17:05

3. The LA Flood Project

   The LA Flood Project is a [work in progress] locative media experience made up of three segments:

   1. Oral histories of crises in Los Angeles
   2. A locative narrative about a fictional flood
   3. A flood simulation

   (Source: Project site)

   Scott Rettberg - 20.05.2011 - 12:28

4. Mirroring Tears: Visages

   An instantiation of the Readers Project performed at E-Poetry 2011, the project includes "mirroring translators" that translate poetry from French to English while exhibiting particular types of reading behaviors.

   Scott Rettberg - 20.05.2011 - 13:53

5. GENERATION[S]

   GENERATION[S] expands upon a series of short fictions generated by Python scripts adapted (with permission) from two 1k story generators written by Nick Montfort, and incorporates GORGE, a never-ending tract spewing verse approximations, poetic paroxysms on food, consumption, decadence and desire, a hack of Montfort’s elegant poetry generator Taroko Gorge. There was only one rule in creating GENERATION[S]: No new texts. All the texts in this book were previously published in some way. The texts the generators produce are intertwined with the generators’ source code, and these two types of texts are in turn interrupted by excerpts from the meta narrative that went into their creation. Most of the sentences in the fiction generators started off as Tweets, which were then pulled into Facebook. Some led to comments that led to responses that led to new texts. All these stages of intermediation are represented in the print book iteration of GENERATION[S]. 

   (Source: Author's website)

   Scott Rettberg - 20.05.2011 - 14:44

6. Det siste utbruddet / The Last Volcano

   This video project explores Norwegian folk histories that return as fragments in light of ongoing volcanic eruptions. The project was recorded in Bergen following the disruptions caused by the activities of the Eyjafjallajökull volcano in Iceland. A folk history of disaster is set against slowly revolving images set in a contemporary landscape. This is the first of a series of works recorded in Norway that juxtapose folk histories and contemporary events to explore narrative and associative characteristics of cultural anxieties and collective memory. The project was researched and filmed by Roderick Coover in 2010 thanks to a distinguished-scholar-in-residence award from the University of Bergen.

   Scott Rettberg - 20.05.2011 - 22:55

7. Prosthesis

   Prosthesis is a set of live vocal performances addressing complicities inherent in the use of digital technology and emergent artificialities in cognition, language, and the physical body. It consists of nine main sections, including readings augmented by projections and recorded voice, and concludes with a song.

   (Source: Author's site)

   Scott Rettberg - 20.05.2011 - 23:47

8. Along the Briny Beach

   Along the briny beach a garden grows. With silver bells and cockleshells, cockles and mussels, alive, alive oh. A coral orchard puts forth raucous pink blossoms. A bouquet of sea anemones tosses in the shallows. A crop of cliffs hedges a sand-sown lawn mown twice daily by long green-thumbed waves rowing in rolling rows. The shifting terrain where land and water meet is always neither land nor water and is always both. The sea garden’s paths are fraught with comings and goings. Sea birds in ones and twos. Scissor-beak, Kingfisher, Parrot and Scissor-tail. Changes in the Zoology. Causes of Extinction. From the ship the sea garden seems to glisten and drip with steam. Along a blue sea whose glitter is blurred by a creeping mist, the Walrus and the Carpenter are walking close at hand. A pleasant walk, a pleasant talk along the briny storied waiting in-between space. Wind blooms in the marram dunes. The tide far out, the ocean shrunken. On the bluff a shingled beach house sprouts, the colour of artichoke. On the horizon lines of tankers hang, like Chinese lanterns. Ocean currents collect crazy lawn ornaments. Shoes and shipwrecks, cabbages and kings.

   J. R. Carpenter - 30.05.2011 - 20:53

9. Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning.

   ARTIST STATEMENT: Nuclear reactors are built to last for about 30 years. After that, the spent fuel needs to be stored for thousands of years. Zero-fault is unknown in all human endeavours. Culture fissions. Extinction Elegies is about the fragile instability of received meaning at both biological and social levels.

   (Source: Artist's description on the project site)

   Scott Rettberg - 21.01.2012 - 19:04

10. when

    In the film ”when” Ottar Ormstad is transferring his practice as concrete poet to the realm of a programmable networked space, blending his poetry with specially composed modern music with electronic elements. His b/w photographs developed in the darkroom are presented in combination with words in different languages, some of them exceeded into ”letter-carpets”. Some sentences are from well known songs or films, other letter-combinations are invented by the author.

    The film is telling a story about life and death, basically from the standpoint of cars, rotten in a field in Sweden. The narrative is very open, and each viewer may experience the film very differently. This is also dependent upon the language background, any translation is – intentionally – not given.

    when has been screened at festivals for experimental short film, so far in France, Romania, Russia and Norway.

    Ottar Ormstad - 24.07.2012 - 23:55