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  1. p0es1s

    The symposiums to the poetics of digital texts orient themselves provisionally on the following question: They would like to explore and discuss the specific performances and functions of a literature, which is conceptualized or conceived particularly for digital media. As a literature form, those in the field of electronics between innovation (the changed conditions of digital and intertwined writing as well as multimediality) and tradition (resorting to the tradition of the literary avant-gardes) operate, ask themselves even for scientific work the question about the classification and handling of this literature in a media-theory and literature-theory perspective.

    Patricia Tomaszek - 14.09.2010 - 12:06

  2. Digital Arts and Culture 1998 Conference

    Digital Arts and Culture 98 was an international conference which aimed to provide a forum for the presentation and discussion of theoretical and artistic developments in digital arts, media and cultures. Through paper presentations and ample space between sessions, as well as an informal social program, the conferenced aimed to create a good atmosphere for strengthening the links between the many different players and subfields within the rapidly expanding field of digital culture and aesthetic studies.

    Digital Arts and Culture  was the first iteration of what has become an annual conference, commonly referred to as DAC.

    The first conference was organised by Espen Aarseth at the Department of Humanistic Informatics at the University of Bergen. Humanistic Informatics is now the program for Digital Culture.

    Jill Walker Rettberg - 12.01.2011 - 23:54

  3. The Network as a Space and Medium for Collaborative Interdisciplinary Practice

    This conference will focus on the increasing use of the network as a space and medium for collaborative interdisciplinary art practices including electronic literature and other network based art forms. Researchers will present papers exploring new network-based creative practices that involve the cooperation of small to large-scale groups of writers, artists, performers, and programmers to create online projects that defy simple generic definitions and disciplinary boundaries. Topics might include online collective narratives, durational performances, evolving networked publication models, creative commons and open source art, remixes, and mashups. The seminar will be organized by the LLE Digital Culture group and will invite contributions from about 20 international researchers and artists. In addition to the scholarly seminar Nov. 9th and 10th at the University of Bergen, two evening programs will take place Nov. 8th and 9th at Landmark Café at Bergen Kunsthall, to showcase innovative work and will be open to the public.

    (Source: Conference website.)

    Eric Dean Rasmussen - 17.01.2011 - 14:14

  4. Electronic Literature in Europe 2008

    From the original call for papers and works: "The Fall 2008 Bergen Seminar on Electronic Literature in Europe will build upon the work of the e-poetry seminar held in Paris in February 2008 at the University Paris 8, the 2007 e-poetry conference in Paris, the 2007 Remediating Literature Conference in Utrecht, and other recent activity in the field of electronic literature in Europe. The goals of this gathering are: 1) To provide an opportunity for European researchers to share and discuss their current research on electronic literature, e-poetry, and digital narrative forms. 2) To provide a forum for European authors of electronic literature to share, demonstrate, read, or perform their work. 3) To discuss and explore the foundation of a European research network focused on electronic literature, funding opportunities for such a network, and network activities."

    Eric Dean Rasmussen - 27.01.2011 - 15:07

  5. Digital Arts and Culture 2000 Conference

    The third conference in the Digital Arts and Culture series was held at the University of Bergen. The conference chair was Jan Rune Holmevik. In addition to the electronic literature-related events, there were a number of digital arts performances not listed here as well as presentations on digital culture in a broader sense. Please see the conference website for a full list. Abstracts are not available for most presentations.

    Scott Rettberg - 30.05.2011 - 14:03

  6. ISEA2010 RUHR

    ISEA2010 RUHR, the 16th International Symposium on Electronic Art, took place from 20–29 August 2010 in the cities of Dortmund, Essen and Duisburg. ISEA is one of the most important international festivals for digital and electronic art and was hosted in Germany for the first time, as part of the programme of RUHR.2010, European Capital of Culture. More than eight hundred artists and scientists from over fifty countries came together to present the latest developments in contemporary art and digital culture at the ISEA2010 RUHR exhibitions, lectures, concerts and workshops. Thousands of visitors from the Ruhr region and beyond took part in the numerous events. (Source: ISEA2010 website)

    Eric Dean Rasmussen - 22.08.2011 - 10:25

  7. Digital Scholarly Communication

    HASTAC´s conference on Digital Scholarly Communication showed why and how we cannot change the academic message without transforming the medium. And vice versa. The gathering experimented with an array of new forms and formats designed not just to discuss those three terms--digital, scholarly, communication--but to show how they work together to change one another and, indeed, to contribute to the transformation of higher education more generally. Bringing together voices from many sectors of the academy in a variety of new formats, this conference presages powerful new possibilities for interdisciplinary, interactive, and multimedia research and communication both in the academy and for the general public.

    Patricia Tomaszek - 03.12.2011 - 19:21

  8. NORLIT 2009: Codex and Code Aesthetics, Language, and Politics in an Age of Digital Media

    The Nordic Association for Comparative Literature (NorLit) organizes every two years an international scholarly conference. The aim of NorLit is to develop the study of Comparative Literature through Nordic collaboration both in its own discipline and in Modern Language and Cultural studies. The next conference will take place in Stockholm, August 6-9, 2009. The conference is organized by the School of Computer Science and Communication, Royal Institute of Technology (Stockholm), the Department of Comparative Literature, Stockholm University, the Department of Communication and Culture, Södertörn University College, and the Department of Comparative Literature, Uppsala University. 

    The theme for the meeting is ”Codex and Code: Aesthetics, Language and Politics in an Age of Digital Media”. The conference venue is the Royal Institute of Technology. The conference languages are the Nordic languages and English.

    Jill Walker Rettberg - 18.06.2012 - 10:42

  9. III Simpósio Nacional ABCiber

    O Simpósio Nacional ABCiber é uma iniciativa da ABCiber – Associação Brasileira de Pesquisadores em Cibercultura, entidade científico-cultural, interdisciplinar, de âmbito nacional, sem fins lucrativos. Em sua terceira edição, o evento é organizado pelo Grupo de Pesquisas em Comunicação e Práticas de Consumo (certificado no diretório do CNPq) e promovido pelo Programa de Mestrado em Comunicação e Práticas de Consumo da ESPM. O Simpósio reunirá, em três dias consecutivos, inúmeros artistas, coletivos, pesquisadores e alunos de Graduação e Pós-graduação de Ciências Humanas e Ciências Sociais Aplicadas de todo o país. Por meio dos eixos cultural/artístico e científico, o evento tem como objetivo promover a reflexão e a circulação do conhecimento e das produções artísticas no âmbito da cibercultura.

    (Fonte: AbCiber)

    Luciana Gattass - 25.10.2012 - 16:44

  10. A Vida Secreta dos Objetos: Materialidades, Medialidades, Temporalidades

    There are strong indications that a significant transformation is underway in the so-called “human sciences” (Geisteswissenschaften, sciences humaines, Humanities). After a period of intense crisis and uncertainty, in which human sciences have frequently sought to mirror or approach the hard sciences, the beginning of the twenty-first century seems to witness a broad renewal of disciplines, approaches and methodologies. From the questioning of its traditional foundations, humanities are reinventing themselves by a broad reconfiguration of its borders and even of the notion of “humanity” that served as its cornerstone. One of the areas where the wealth of this new scenario is most clearly displayed is that of media studies. Spurred by the impact of new digital technologies, media studies cleverly learned to appropriate the epistemological principles and major theoretical issues that have come to characterize the contemporary cultural scene.

    Luciana Gattass - 26.10.2012 - 10:32

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