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  1. Electronic Literature Directory

    The Electronic Literature Directory (ELD 2.0) is a collection of literary works, descriptions, and keywords. As the Web evolves, the work of literature co-evolves in ways that need to be named, tagged, and recognized in a Web 2.0 environment. For this purpose, the ELD is designed to bring authors and readers together from a wide a range of imaginative, critical, technological, and linguistic practices.

    Both a repository of works and a critical companion to e-literature, the ELD hosts discussions that are capable of being referenced and revised over years of use. In this respect, Directory content differs from blogs and wikis in that each entry, once it is approved by a board of editors, is unchanging. The submission of entries and their evaluation is open to anyone, and any entry can be supplemented if a later reader can successfully advance an alternative vision of the work and its context.

    (Source: ELD, About the Directory)

    Eric Dean Rasmussen - 13.04.2012 - 17:28

  2. ELINOR: Electronic Literature in the Nordic Region

    ELINOR was a Nordic project to document and promote electronic literature in the Nordic countries, and was funded by NORDBOK. In addition to a series of events, ELINOR created a database of electronic literature in Norway, Denmark, Sweden and Finland. The database is no longer extant, but the works have been entered into the ELMCIP Knowledge Base.

    Jill Walker Rettberg - 15.10.2012 - 11:56

  3. Cybertext Yearbook Database

    The Cybertext Yearbook Series, started in 2000, quickly earned its reputation as one of "the best cutting-edge reads for the literary digerati" (American Book Review). In 2007 it will finally make the obvious non-trivial move and transform itself into the Cybertext Database, a FREE online publication. As uncompromising and unpredictable as ever, it will continue to be organized as separate issues. (From the official webpage)

    Dan Kvilhaug - 15.02.2013 - 14:44

  4. Hyperizons

    One of the most extensive lists of hypertext fiction, scholarship and events in the 1990s. Was an important hub of information on the web at the time, and remains a documentation of the past, broken links and all.

    Jill Walker Rettberg - 28.06.2013 - 23:39

  5. cyberfiction.ch

    English description:

    this database shows german hyperfictions and netliterature from 1996 to 2003. it consists of three lists with short descriptions. the database is based on earlier hyperfiction lists published online with beluga (1996 - 1999). this version dates from 2000 and presents 100 different entries.

    The Resource is offline (accessed September 2013).

    German description:

    diese datenbank enthält ein korpus deutschsprachiger hyperfictions aus den jahren 1996 - 2003. grundlage der beschreibungen waren die alten hyperfiction-listen bei beluga (1996 - 1999). die folgende datenbank ist im jahre 2000 zusammengestellt worden und umfasst etwa 100 einträge.

     

    Source: cyberfiction.ch

    Patricia Tomaszek - 09.09.2013 - 13:55

  6. compArt daDA: the database Digital Art

    The compArt database Digital Art (daDA) is a growing repository on digital art. It currently focusses on five top categories: people (in their roles as artists, authors, gallerists, etc.), works, events, publications, and institutions. We use the slightly problematic term “digital art” in a broad sense. More or less like: in order to be included, an entity of the data base must have its roots in operations by digital computers; or reflect on such entities, or be otherwise related to them. But we allow for some sloppiness: we also insert entities of historic relevance to digital art. We are currently restricting attention to the early phase of digital art. As those we consider the years from about 1950 to 1979, the year of the first Festival Ars Electronica in Linz, Austria. During those years, digital art was mainly algorithmic art. At some later time, we intend to include other forms of digital art. We already now occasionally accept works, artists, etc. that bear enough of a stylistic kinship with early digital art. We almost exclusively deal with visual art. But here also, we allow for exceptions as, e.g., some entries from early computer music.

    Alvaro Seica - 05.02.2015 - 10:32

  7. Media Art Net

    Objectives

    Alvaro Seica - 03.05.2015 - 23:38