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Mobile Bodies, Zones of Attention and Tactical Media Interventions
Mobile Bodies, Zones of Attention and Tactical Media Interventions
Carolyn Guertin - 20.06.2012 - 19:15
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Interactive Poetry - New Poetry for New Technologies
Interactive Poetry - New Poetry for New Technologies
Jeneen Naji - 20.06.2012 - 19:30
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Hyperrhiz 08: Open Issue
Hyperrhiz 08: Open Issue
Helen Burgess - 20.06.2012 - 20:02
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Comments on Comments in Code
Where in source code do we locate the "extra-functional significance" that Critical Code Studies calls us to critique? One starting point is in code comments. In most programming languages, comments are simple marks that set aside text for humans to read but computers to ignore. The act of "commenting" and "uncommenting" circulates this text into and out of the code per se, which is to say into and out of the purview of the compiler / interpreter. Like footnotes or endnotes, code comments are paratexts — continuous with and yet set apart from the source. Where they serve as actual *commentaries*, these paratexts enabling programmers to signal intentions, record histories, and render aesthetic judgements: comments enable the vital processes of software development culture.
Patricia Tomaszek - 07.07.2012 - 22:36
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Taxonomies and Folksonomies in Databases
Taxonomies and Folksonomies in Databases
Patricia Tomaszek - 12.09.2012 - 14:42
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Review of Mark Bernstein and Diane Greco, Reading Hypertext
Review of Mark Bernstein and Diane Greco, Reading Hypertext
Jill Walker Rettberg - 09.10.2012 - 21:50
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Imagem Máquina: A era das tecnologias do virtual
Coletânea de 24 textos que giram em torno dos problemas colocados pelas novas tecnologias da imagem. Entre os autores brasileiros, canadenses, franceses, italianos e norte-americanos figuram nomes como Paul Virilio, Jean Baudrillard, Antonio Negri, Félix Guattari, Jean-François Lyotard, Arlindo Machado, Nelson Brissac e outros.
(texto informado pela editora)
Luciana Gattass - 14.10.2012 - 11:38
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Poesi för en liten grupp
This article briefly discusses the works of three Swedish poets (Emil Boss, Anna-Maria Ytterbom, and Johannes Heldén), and ultimately finds them confusing and tedious. The third piece, Entropi by Heldén, is a work of ELit. Dahlerus criticizes it as "Mycket svår poesi för ovana lyrikläsare" [Very difficult for inexperienced poetry readers]. He complains that the work forces him to become "något slags lyrikdetektiv" [some kind of poetry detective] to discover clues to the meaning of the poetry. Though he acknowledges that there is a place for "oläsbar poesi" [unreadable poetry], he asserts that too much of this kind of poetry causes him to wish for a new poetry - one that "vågar vara tydlig, vågar kommunicera" [dares to be clear, dares to communicate]. The three reader comments following the article indicate that they all strongly disagree with Dahlerus.
Melissa Lucas - 16.10.2012 - 11:48
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The Readers Project: Procedural Agents and Literary Vectors
The Readers Project: Procedural Agents and Literary Vectors
Daniel Howe - 06.11.2012 - 09:42
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Cartographies of Digital Fiction: Amateurs Mapping a New Literary Realism
Cartographies of Digital Fiction: Amateurs Mapping a New Literary Realism
Jörgen Schäfer - 08.11.2012 - 13:46