Electronic Literature, Chapter 1: Genres of Electronic Literature

Research Collection

Collection curated by:

Description:

This research collection includes references from the first chapter of Electronic Literature by Scott Rettberg (Polity, 2018), which is focused on the question of how we can describe genres in electronic literature, and why we should. The chapter also provides an overview of key critical writing in the field.

People:

Name	Residency
Giselle Beiguelman	São Paulo , SP Brazil São Paulo BR
Jim Andrews	Vancouver , BC Canada British Columbia CA
Judd Morrissey	Chicago United States US
Mark Jeffery	Chicago United States US
William Poundstone	Los Angeles United States US
Tzvetan Todorov
Richard M. Berrong
Jessica Pressman	United States US
Stuart Moulthrop	Glendale United States US
Dene Grigar	Vancouver , WA United States Washington US
Nick Montfort	New York , NY United States New York US
N. Katherine Hayles	Durham , NC United States North Carolina US
Jay David Bolter	Atlanta , GA United States Georgia US
Scott Rettberg	Bergen Norway NO
Ian Bogost	United States US
Chris Funkhouser	Newton , NJ United States New Jersey US
David Ciccoricco	Dunedin New Zealand NZ
Mark C. Marino	Los Angeles , CA United States California US
Jeremy Douglass	San Diego , CA United States California US
Manuel Portela	Coimbra Portugal PT

Creative works:

Title	Author	Year
Code Movie 1	Giselle Beiguelman	2004
Nio	Jim Andrews	2001
The Last Performance	Judd Morrissey, Mark Jeffery	2007
Project for Tachistoscope [Bottomless Pit]	William Poundstone	2005

Critical Writing:

Title	Author	Year
The Birth of Tragedy and The Genealogy of Morals	Friedrich Nietzsche	1956
The Origin of Genres	Tzvetan Todorov, Richard M. Berrong	1976
The Law of Genre	Jacques Derrida	1980
Hypertext: The Convergence of Contemporary Critical Theory and Technology	George P. Landow	1992
Cybertext: Perspectives on Ergodic Literature	Espen Aarseth	1997
How We Think: Digital Media and Contemporary Technogenesis	N. Katherine Hayles	1997
How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics	N. Katherine Hayles	1999
False Pretenses, Parasites, and Monsters	Tom LeClair	2000
Code and Other Laws of Cyberspace	Lawrence Lessig	2000
The Language of New Media	Lev Manovich	2000
Digital Poetics: The Making of E-Poetries	Loss Pequeño Glazier	2001
Writing Machines	N. Katherine Hayles	2002
The Code is not the Text (unless it is the Text)	John Cayley	2002
The End of Books--Or Books Without End: Reading Interactive Narratives	J. Yellowlees Douglas	2003
The New Media Reader		2003
Fashionable Noise: On Digital Poetics	Brian Kim Stefans	2003
The Ideology of Genre: A Comparative Study of Generic Instability	Thomas O. Beebee	2004
Twisty Little Passages: An Approach to Interactive Fiction	Nick Montfort	2005
My Mother Was a Computer: Digital Subjects and Literary Texts	N. Katherine Hayles	2005
Gramophone, Film, Typewriter	Friedrich Kittler	2006

The permanent URL of this page:

https://elmcip.net/node/13704

Record posted by:

Scott Rettberg

Post date:

26.09.2018 - 09:21