Towards the Recognition of the Shell as an Integral Part of the Digital Text
Critical Writing
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Year:
1999
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Abstract (in English):
Although the theory of hypertext fiction does not regard the Shell as a text, writers of digital fiction, have long started to blurr the boundaries between the Reader and the “main” text. Both interpreters of (fictional) hypertexts and pt-ogrammers of hypertext-environments need to acknowledge this fact in order to accomodate current wrltlng practices.
Works referenced:
Title |
Author | Year |
|---|---|---|
| afternoon, a story | Michael Joyce | 1990 |
| Quibbling | Carolyn Guyer | 1992 |
| Uncle Buddy's Phantom Funhouse | John McDaid | 1992 |
Critical writing referenced:
Critical writing that references this:
| Title | Author | Publisher | Year |
|---|---|---|---|
| Storyspace 1 | Mark Bernstein | 2002 |
