Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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Portal | Yael Kanarek, Evann Siebens, Meeyoung Kim, Yoav Gal | 2003 | 01.02.2024 | interactive, virtual world, spatial relationships, New York City |
Rewriting, Relearning : Creative Collaborations in the Digital Humanities | Erik Loyer | 01.02.2024 | experimental writing, workshop, digital humanities | |
Polly Returns | Jenny Odell | 2017 | 01.02.2024 | video art, digital art, feminism, gender identity, robot, woman robot voice |
The Winnipeg : The Poem That Crossed the Atlantic | María Mencía | 01.02.2024 | poem, historical events, Spanish Civil War, Alexandre Dupuis-Belin, interactive, history | |
Aa-Kwartier | Chantalla Pleiter, Jean-Pierre Rawie | 2018 | 01.02.2024 | poem, VR, virtual reality, card, city |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Figures of Gestural Manipulation in Digital Fictions | Serge Bouchardon | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The rhetoric of interactive art works | Serge Bouchardon | Conference paper or presentation | 24.09.2021 | 2008 | |
Ästhetik und Technik. Literaturprojekte der Semiosphäre | Matthias Franke | Article on the author's website | 24.09.2021 | ||
Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe | Alexandra Saemmer | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The impact of hypertext on processes of reading and writing | Davida Charney | Article in a print journal | 24.09.2021 | 1994 |
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Publishers and Journals
Name | Updated |
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Revue de l'EPI | 10.09.2014 |
Basic Books | 22.08.2014 |
Oxford University Press USA | 22.08.2014 |
Editura Univers Enciplopedic | 24.07.2014 |
Arco | 23.07.2014 |
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Organizations
Name | Updated |
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Duke University | 30.07.2013 |
National Film Board of Canada | 30.07.2013 |
University of Copenhagen | 16.07.2013 |
RIXC, The Centre for New Media Culture | 16.07.2013 |
St. Petersburg Branch of the Russian Ins... | 14.07.2013 |
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Events
Name | Event Date | City | Country | Updated |
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Curating, Archiving and Preserving Electronic Literature | 18.06.2014 | United States | 30.11.2016 | |
Oslo Poetry Film - Festival for Digital and Visual Poetry | 16.11.2013 | Oslo | Norway | 30.11.2016 |
ELO 2014 Pre-Conference Events | 18.06.2014 | Milwaukee | United States | 30.11.2016 |
Digital Arena: On 'New Directions in Digital Poetry' — Chris Funkhouser | 14.10.2014 | Bergen | Norway | 30.11.2016 |
PIKSEL 14 | 10.11.2014 | Bergen | Norway | 30.11.2016 |
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Databases and Archives
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