Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
---|---|---|---|---|
Coronary (Coronário) | Giselle Beiguelman | 2020 | 14.02.2024 | COVID-19, pandemic, lexicon, economy of attention, politics, gaze, heat maps, neologisms, Google, Brazil |
Blocked Connections | Anastasia Salter | 2018 | 14.02.2024 | qr, codes, visual, narrative, networks, interactive |
Blackness for Sale | Keith Obadike, Mendi Obidake | 2001 | 14.02.2024 | race, racialization, blackness, e-commerce, commodification, auctions, parody |
Texts, Interfaces, and the Puzzle Element in Her Story | Kenneth Alba | 2019 | 14.02.2024 | computer game, interface, mystery, interface design |
Escríbe tu propio Quijote | Belén Gache | 2006 | 14.02.2024 | poem, rewrite, interface, word processor, Don Quijote, wordtoys, keyboard, keystrokes |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Figures of Gestural Manipulation in Digital Fictions | Serge Bouchardon | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The rhetoric of interactive art works | Serge Bouchardon | Conference paper or presentation | 24.09.2021 | 2008 | |
Ästhetik und Technik. Literaturprojekte der Semiosphäre | Matthias Franke | Article on the author's website | 24.09.2021 | ||
Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe | Alexandra Saemmer | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The impact of hypertext on processes of reading and writing | Davida Charney | Article in a print journal | 24.09.2021 | 1994 |
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Publishers and Journals
Name | Updated |
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Culture & Musées | 03.10.2018 |
I Love E-Poetry | 02.10.2018 |
Two Cities Editions | 02.10.2018 |
Penn State University Press | 02.10.2018 |
Delacorte Press | 02.10.2018 |
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Organizations
Name | Updated |
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RIT | 03.10.2015 |
Arab Union for Internet Writers | 03.10.2015 |
Jagiellonian University | 21.09.2015 |
Writers' Union of Egypt | 17.09.2015 |
Minia University | 17.09.2015 |
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Events
Name | Event Date | City | Country | Updated |
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Modern Language Association Convention 2008 | 27.12.2008 | San Francisco | United States | 30.11.2016 |
DAC Literary Arts Extravaganza Gallery | 12.12.2009 | Irvine | United States | 30.11.2016 |
Live Herring '08 Media Art Exhibition | 29.10.2008 | Jyväskylä | Finland | 30.11.2016 |
Against Time | 12.09.2007 | 30.11.2016 | ||
FILE SP 2012 | 17.07.2012 | São Paulo | Brazil | 30.11.2016 |
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Databases and Archives
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