Writing Space: The Computer, Hypertext, and the History of Writing

Critical Writing
Publication Type: 
Language: 
Year: 
1991
ISBN: 
0-8058-0427-7
0-8058-0428-5
Pages: 
xii, 258
License: 
All Rights reserved
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Abstract (in English): 

This book is a study of the computer as a new technology for reading and writing -- a technology that may replace the printing press as our principal medium of symbolic communication. One of the main subjects of Writing Space is hypertext, a technique that allows scientists, scholars, and creative writers to construct texts that interact with the needs and desires of the reader. Bolter explores both the theory and practice of hypertext, demonstrating that the computer as hypertext represents a new stage in the long history of writing, one that has far-reaching implications in the fields of human and artificial intelligence, cognitive science, philosophy, semiotics, and literary theory.

Through a masterful integration of introductory, historical, illustrative, and theoretical material as well as an accompanying diskette containing a sample of hypertextual writing, Bolter supports his claim that the computer will carry literacy into a new age -- the age of electronic text that will emerge from the "age of print that is now passing." His reflections on literacy in contemporary culture lead him to a compelling conclusion: ironically, cultural literacy is becoming almost synonymous with computer literacy.

(Source: Publisher's description)

Critical writing that references this:

Titlesort ascending Author Publisher Year
Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction J. Yellowlees Douglas The Drama Review (TDR) 1993
Towards Network Narrative: Electronic Literature, Communication Technologies, and Cultural Production David M. Meurer Dichtung Digital 2012
The Virtualization of Poetry and Self Komninos Zervos 2007
The Marketization of Net Art Søren Bro Pold, Christian Ulrik Andersen Digital Aesthetics Research Center 2013
The Disturbing Liveliness of Machines: Rethinking the Body in Hypertext Theory and Fiction Christopher Keep 1999
The Database, the Interface, and the Hypertext: A Reading of Strickland's V Jaishree K. Odin Electronic Book Review (ebr) 2007
Tekstspill i hypertekst. Koherensopplevelse og sjangergjenkjennelse i lesing av multimodale hyperfiksjoner Hans Kristian Rustad 2008
Techno-historical Limits of the Interface: The Performance of Interactive Narrative Experiences Andrew Hutchison 2009
Rhetorical Convergence: Earlier Media Influence on Web Media Form Anders Fagerjord 2003
Pushing Back: Living and Writing in Broken Space Stuart Moulthrop MFS Modern Fiction Studies 1997
Portuguese Experimental Poetry: Revisited and Recreated Pedro Reis Rodopi 2009
Patterns of Hypertext Mark Bernstein Association for Computing Machinery 1998
Of Presence and Electronic Literature Luciana Gattass Bloomsbury Academic 2018
Mutability, Medium and Character Dene Grigar Computers and the Humanities 2002
Média Digitais: Novos Terrenos para a Expansão da Textualidade Pedro Reis Edições UFP 2006
Machine Enhanced (Re)minding: the Development of Storyspace Belinda Barnet DHQ Digital Humanities Quarterly 2012
Interactive Technology and the Remediation of the Subject of Writing Michelle Kendrick Configurations 2001
Hyperfiktion und interaktive Narration Beat Suter update verlag 2000
Humanidades e Informática: O Estado da Arte Pedro Reis Revista da Faculdade de Ciências Humanas e Sociais, Edições UFP 2005
Expressive Processing: On Process-Intensive Literature and Digital Media Noah Wardrip-Fruin 2006
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Scott Rettberg