Tekstspill i hypertekst. Koherensopplevelse og sjangergjenkjennelse i lesing av multimodale hyperfiksjoner

Critical Writing
Publication Type: 
Year: 
2008
University: 
ISBN: 
9788271176402
Pages: 
291
Record Status: 
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Abstract (in English): 

English translation of title: Textual interplay in hypertext. The experience of cohesion and the regonition of genre in multimodal hyperfictions. The dissertation provides a discussion of electronic literature in general, with two in depth analyses of Megan Heyward's "I am a Singer" and of Anne Bang-Steinsvik's "I mellom tiden".

Critical writing referenced:

Title Author Year
As We May Think Vannevar Bush 1945
Complex Information Processing: A File Structure for the Complex, the Changing, and the Indeterminate Theodor Holm Nelson 1965
Mimesis as Make-Believe: on the Foundations of the representational Arts Kendall Walton 1990
Writing Space: The Computer, Hypertext, and the History of Writing Jay David Bolter 1991
The Contingencies of the Hypertext Link Terry Harpold 1991
You Say You Want a Revolution? Hypertext and the Laws of Media Stuart Moulthrop 1991
Hypertext: The Convergence of Contemporary Critical Theory and Technology George P. Landow 1992
Literary Machines: The report on, and of, Project Xanadu concerning word processing, electronic publishing, hypertext, thinkertoys, tomorrow's intellectual revolution, and certain other topics including knowledge, education and freedom Theodor Holm Nelson 1993
“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives J. Yellowlees Douglas 1994
Wittgenstein, Genette, and the Reader's Narrative in Hypertext Gunnar Liestøl 1994
Cybertext: Perspectives on Ergodic Literature Espen Aarseth 1997
Nostalgic Angels: Reconfiguring Hypertext Writing Johndan Johnson-Eilola 1997
Patterns of Hypertext Mark Bernstein 1998
Piecing Together and Tearing Apart: Finding the Story in afternoon Jill Walker Rettberg 1999
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis N. Katherine Hayles 2000
What you click is what you get? - Die Stellung von Autoren und Lesern in interaktiver digitaler Literatur Anja Rau 2000
Le plaisir du texte: précédé de Variationes sur l´écriture Roland Barthes 2000
The Language of New Media Lev Manovich 2000
Paratexts: Thresholds of Interpretation Gérard Genette 2001
Tekst.no Ture Schwebs, Hildegunn Otnes 2001
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Scott Rettberg