Tekstspill i hypertekst. Koherensopplevelse og sjangergjenkjennelse i lesing av multimodale hyperfiksjoner

English translation of title: Textual interplay in hypertext. The experience of cohesion and the regonition of genre in multimodal hyperfictions. The dissertation provides a discussion of electronic literature in general, with two in depth analyses of Megan Heyward's "I am a Singer" and of Anne Bang-Steinsvik's "I mellom tiden".

Works referenced:

Title	Author	Year
afternoon, a story	Michael Joyce	1990
I Am a Singer	Megan Heyward	1997
The Glass Snail: a Pre-Christmas Tale	Milorad Pavić	2003
Rush	Torbjørn Skårild	2006
I mellom tiden	Anne Bang-Steinsvik	2002
of day, of night	Megan Heyward	2004
Traces	Megan Heyward	2006
Cent mille milliards de poèmes	Raymond Queneau	1961
These Waves of Girls: A Hypermedia Novella	Caitlin Fisher	2001
Patchwork Girl	Shelley Jackson	1995
Victory Garden	Stuart Moulthrop	1991
I Have Said Nothing	J. Yellowlees Douglas	1994
Same Day Test	Gavin Inglis	2002
Online Caroline	Tim Wright, Rob Bevan	2000
Lexia to Perplexia	Talan Memmott	2000
On Lionel Kearns	Jim Andrews	2004
Langweekend	Beathe C. Rønning	2005
En anarkist er død	Kaja W. Polmar	2006
What We Will	John Cayley	2004
Twelve Blue	Michael Joyce	1996

Critical writing referenced:

Title	Author	Year
As We May Think	Vannevar Bush	1945
Complex Information Processing: A File Structure for the Complex, the Changing, and the Indeterminate	Theodor Holm Nelson	1965
Mimesis as Make-Believe: on the Foundations of the representational Arts	Kendall Walton	1990
You Say You Want a Revolution? Hypertext and the Laws of Media	Stuart Moulthrop	1991
Writing Space: The Computer, Hypertext, and the History of Writing	Jay David Bolter	1991
The Contingencies of the Hypertext Link	Terry Harpold	1991
Hypertext: The Convergence of Contemporary Critical Theory and Technology	George P. Landow	1992
Literary Machines: The report on, and of, Project Xanadu concerning word processing, electronic publishing, hypertext, thinkertoys, tomorrow's intellectual revolution, and certain other topics including knowledge, education and freedom	Theodor Holm Nelson	1993
“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives	J. Yellowlees Douglas	1994
Wittgenstein, Genette, and the Reader's Narrative in Hypertext	Gunnar Liestøl	1994
Cybertext: Perspectives on Ergodic Literature	Espen Aarseth	1997
Nostalgic Angels: Reconfiguring Hypertext Writing	Johndan Johnson-Eilola	1997
Patterns of Hypertext	Mark Bernstein	1998
Piecing Together and Tearing Apart: Finding the Story in afternoon	Jill Walker Rettberg	1999
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis	N. Katherine Hayles	2000
What you click is what you get? - Die Stellung von Autoren und Lesern in interaktiver digitaler Literatur	Anja Rau	2000
Le plaisir du texte: précédé de Variationes sur l´écriture	Roland Barthes	2000
The Language of New Media	Lev Manovich	2000
Paratexts: Thresholds of Interpretation	Gérard Genette	2001
Tekst.no	Ture Schwebs, Hildegunn Otnes	2001

Critical writing that references this:

Title	Author	Publisher	Year
Svar fra doktoranden (Hans Kristian Rustad)	Hans Kristian Rustad	Edda: Nordisk tidsskrift for litteraturforskning	2008
[REVIEW] Hans Kristian Rustad: Tekstspill i hypertekst. Koherensopplevelse og sjangergjenkjennelse i lesing av multimodale hyperfiksjoner - Doktordisputas, Universitetet i Agder, 27. mars 2008	Lisbeth Klastrup, Henning Howlid Wærp	Edda: Nordisk tidsskrift for litteraturforskning	2008
“Som å lese en film”: Elevers lesing av elektronisk litteratur	Pål Fredrik Børresen		2011
A Short History of Electronic Literature and Communities in the Nordic Countries	Hans Kristian Rustad	Dichtung Digital	2012
The Emergence of Electronic Literature Exhibition Catalogue	Scott Rettberg, Jill Walker Rettberg		2013

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https://elmcip.net/node/7330

Record posted by:

Scott Rettberg