Hamlet on the Holodeck: The Future of Narrative in Cyberspace

Critical Writing
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Abstract (in English): 

Murray discusses the unique properties and pleasures of digital environments and connects them with the traditional satisfactions of narrative. She analyzes the dramatic satisfaction of participatory stories and considers what would be necessary to move interactive fiction from the formats of childish games and confusing labyrinths into a mature and compelling art form.

(Source: Publisher's description)

Published in paperback by the MIT Press, 1998.


Critical writing that references this:

Titlesort ascending Author Publisher Year
Wreader's Digest - How To Appreciate Hyperfiction Anja Rau Journal of Digital Information (JoDI) 2001
Videogame: jogos, narrativa e interação no espaço virtual Sérgio Nesteriuk Musa Editora 2009
Travels in Cybertextuality. The Challenge of Ergodic Literature and Ludology to Literary Theory Markku Eskelinen 2009
Towards Network Narrative: Electronic Literature, Communication Technologies, and Cultural Production David M. Meurer Dichtung Digital 2012
Theory and technology for computational narrative: an approach to generative and interactive narrative with bases in algebraic semiotics and cognitive linguistics D. Fox Harrell 2007
The Virtualization of Poetry and Self Komninos Zervos 2007
The Gothic in Contemporary Interactive Fictions Van Leavenworth 2010
Techno-historical Limits of the Interface: The Performance of Interactive Narrative Experiences Andrew Hutchison 2009
Sonho quântico: um modelo de roteiro e narrativa e de liguagem em hipermídia Vicente Gosciola Musa Editora 2009
Rhetorical Convergence: Earlier Media Influence on Web Media Form Anders Fagerjord 2003
Reveal Codes: Hypertext and Performance Rita Raley Postmodern Culture 2001
Oral Traditions and Electronic Ambitions: The Trajectory of Flight Paths in a Plugged-In World Jennifer Roudabush 2010
Netprov: Elements of an Emerging Form Mark C. Marino, Rob Wittig Dichtung Digital 2012
Lost in the Archive: Vision, Artefact and Loss in the Evolution of Hypertext Belinda Barnet 2004
Looking Behind the Façade: Playing and Performing an Interactive Drama Jörgen Schäfer 2009
Lirismo Verbal e Virtual: Travessia de Sentidos Natascha Gomes Paiva 2009
Hyperfiktion und interaktive Narration Beat Suter update verlag 2000
Getting Your Hands on Electronic Literature: Exploring Tactile Fictions with the Reading Glove Karen Tanenbaum, Joshua Tanenbaum Journal of the International Digital Media and Arts Association (iDMAa) 2013
Genre Trouble: Narrativism and the Art of Simulation Espen Aarseth The MIT Press, Electronic Book Review (ebr) 2004
Generating Narrative Variation in Interactive Fiction Nick Montfort 2007

Research Collection that references this Critical Writing:

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Jill Walker Rettberg