A Cyborg Manifesto

Critical Writing
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Critical writing that references this:

Title Author Publisher Yearsort descending
For This We Play: an Introduction to this Issue’s New Media Poems John Sparrow HOW2
Engineering Cyborg Ideology N. Katherine Hayles Electronic Book Review (ebr)
The Disturbing Liveliness of Machines: Rethinking the Body in Hypertext Theory and Fiction Christopher Keep 1999
Creating Screen-Based Multiple State Environments: Investigating Systems of Confutation Donna Leishman 2004
I'll be a postfeminist in a postpatriarchy, or, Can We Really Imagine Life after Feminism? Lisa Yaszek Electronic Book Review (ebr) 2005
Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental Laura Shackelford Camera Obscura 2006
Command Lines: Aesthetics and Technique in Interactive Fiction and New Media Jeremy Douglass 2007
Exploiting Kairos in Electronic Literature: A Rhetorical Analysis Cheri Crenshaw 2008
Techno-historical Limits of the Interface: The Performance of Interactive Narrative Experiences Andrew Hutchison 2009
Reproductive Technologies, Fetal Icons, and Genetic Freaks: Shelley Jackson’s Patchwork Girl and the Limits and Possibilities of Donna Haraway’s Cyborg Heather Latimer MFS Modern Fiction Studies 2011
Digital Literature: Theoretical and Aesthetic Reflections Luciana Gattass 2011
Digital Prohibition Piracy and Authorship in New Media Art Carolyn Guertin Continuum 2012
Next Generation Literary Machines: The “Dynamic Network Aesthetic” of Contemporary Poetry Generators Holly Dupej 2012
Digital Poesi. Æstetisk Analyse og det Mediales Rolle i Kunstværkers Kommunikation Mette-Marie Zacher Sørensen 2013
Towards Minor Literary Forms: Digital Literature and the Art of Failure Illya Szilak Electronic Book Review (ebr) 2015
Postmodern, Posthuman, Post-Digital Laura Shackelford 2018

Teaching Resource using this Critical Writing:

Resource Teaching Resource Type Author Year
Hypertext Syllabus Scott Rettberg 2004
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