Cybertext: Perspectives on Ergodic Literature

Critical Writing
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Year: 
1997
ISBN: 
0-8-018-5578-0
978-0801855795
Pages: 
203
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All Rights reserved
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Abstract (in English): 

Cybertext explores the aesthetics and the textual dynamics of digital literature and its many diverse genres such as hypertext fiction, computer games, computer generated poetry and prose, and collaborative Internet texts such as MUDs. However, instead of insisting on the uniqueness and newness of "electronic writing" or "interactive fiction" (phrases which mean very little) the author situates these new literary forms within the larger and much older field of "ergodic" literature, from the ancient Chinese I Ching to the literary experiments of the OuLiPo. These are open, dynamic texts where the reader must perform specific actions to generate a literary sequence, which may vary for every reading. Aarseth constructs a theoretical model that describes how these literary forms are different from each other, and demonstrates how the widely assumed divide between paper texts and electronic texts breaks down under careful analysis. He then confronts literary theories of narrative, semiotics and rhetoric with the new empirical field of ergodic literature, and examines the problems and potential usefulness of applying these theories on material for which they were not intended.

(Source: Author's abstract)

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Critical writing that references this:

Title Author Publisher Yearsort descending
Internet and Digital Textuality: A Deep Reading of 10:01 Mehdy Sedaghat Payam Bloomsbury Academic
Archiving Digital Narrative: Some Issues Tom Abba
Digital Poetry Leonardo L. Flores
Beyond Codexspace: Potentialities of Literary Cybertext John Cayley Intellect Ltd. 1996
Stalking the paratext: speculations on hypertext links as a second order text Francisco J. Ricardo Association for Computing Machinery (ACM) 1998
Patterns of Hypertext Mark Bernstein Association for Computing Machinery 1998
Omission impossible: the ergodics of time Markku Eskelinen 1998
What is the Point of Compulit? Marie-Laure Ryan Semiotica 1998
Towards the Recognition of the Shell as an Integral Part of the Digital Text Anja Rau 1999
Hyper-What?: Some Views on Reader Discomfiture with Hypertext Fiction Lawrence James Clark Kairos: A Journal of Rhetoric, Technology, and Pedagogy 1999
Hyperfiction – ein neues Genre? Beat Suter, Michael Böhler 1999
Cybertext Killed the Hypertext Star Nick Montfort Electronic Book Review (ebr) 2000
Do You Think You're Part of This? Digital Texts and the Second Person Address Jill Walker Rettberg Cybertext Yearbook 2000
Digital Literature: From Text to Hypertext and Beyond Raine Koskimaa 2000
Discourse Timer: Towards Temporally Dynamic Texts Markku Eskelinen, Raine Koskimaa Dichtung Digital 2001
Reveal Codes: Hypertext and Performance Rita Raley Postmodern Culture 2001
Card Shark and Thespis: Exotic Tools for Hypertext Narrative Mark Bernstein 2001
Explorations of Ergodic Literature: The Interlaced Poetics of Representation and Simulation Shuen-shing Lee Dichtung Digital 2002
Beyond Myth and Metaphor: Narrative in Digital Media Marie-Laure Ryan Poetics Today 2002
Rhetorical Convergence: Earlier Media Influence on Web Media Form Anders Fagerjord 2003
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