Born Digital

“E-poetry relies on code for its creation, preservation, and display: there is no way to experience a work of e-literature unless a computer is running it—reading it and perhaps also generating it.” Stephanie Strickland outlines 11 rules of electronic poetry.

Works referenced:

Title	Author	Year
The Dreamlife of Letters	Brian Kim Stefans	2000
Genesis	Eduardo Kac	1999
Stud Poetry	Marko Niemi	2006
Concatenation	Geniwate	2005
Lexia to Perplexia	Talan Memmott	2000
Carving in Possibilities	Deena Larsen	2001
Translation	John Cayley	2004
ii — in the white darkness: about [the fragility of] memory	Reiner Strasser, M. D. Coverley	2004
Strings	Dan Waber	1999
The Set of U / La Série des U	Philippe Bootz, Marcel Frémiot	2004
Babel	Simon Biggs	2001
Tao	Alan Sondheim, Reiner Strasser	2004
The Arrival of the Beebox	Aya Natalia Karpinska	2003
open.ended	Daniel C. Howe, Aya Natalia Karpinska	2004
I, You, We	Dan Waber, Jason Pimble	2005
The Ballad of Sand and Harry Soot	Stephanie Strickland	1999
Traveling to Utopia	Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge	2006

Critical writing that references this:

Title	Author	Publisher	Year
One + One = Zero – Vanishing Text in Electronic Literature	Marjorie C. Luesebrink		2013
Electronic Literature	Scott Rettberg	Polity	2018

Teaching Resource using this Critical Writing:

Resource	Teaching Resource Type	Author	Year
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2012)	Syllabus	Davin Heckman, Patricia Tomaszek	2012

Research Collection that references this Critical Writing:

Title
Electronic Literature, Chapter 1: Genres of Electronic Literature

The permanent URL of this page:

https://elmcip.net/node/13843

Record posted by:

Ana Castello