Born Digital: Writing Poetry in the Age of New Media

Critical Writing
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Abstract (in English): 

This study investigates Anglophone digital poems, created with and disseminated through digital computer media, for their visual, kinetic, and textual practices. I seek to articulate an analytic method grounded in close readings of selected poems. I have chosen to focus on poetic practices that raise questions about spatiality, temporality, kineticism, and word-and-image construction. My chief interest lies in how poetic form is orchestrated and what forms of engagement these digital constructions present the reader with. Underlying the main arguments of this study is an understanding of literary works in general as materially, culturally, and historically situated entities. Such “attention to material” is brought to bear on the digital poems that I analyze. Building upon N. Katherine Hayles’s notion of a “media-specific analysis,” I propose a materially specific analysis. In line with this proposition, I investigate particular properties of three clusters of poems. I propose terms such poemevents, cinematographic poems, and visual noise poems. A common feature of digital poems is the multisensory experience created through visual, auditive, tactile, kinetic, and textual artifice. The reader’s level of interaction is often of utmost importance. To articulate the different roles that the reader has to take on, I use two compound terms: reader/user and reader/viewer/listener. I argue that the active embodied engagement that is required of the reader/user in some digital poems and the denial of an active participation in others is part of the works’ materiality. Digital poetry as a field is expanding; it would not be too daring to claim that the exploration of the writing of poetry in the age of new media has only begun. I conclude the thesis by looking forward to what might lay ahead, how literary scholarship can be inspired by digital poetic work, and the questions about literary materiality that it poses. See thesis presentation at

Critical writing referenced:

Titlesort descending Author Year
Generation Flash Lev Manovich 2002
How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics N. Katherine Hayles 1999
Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology George P. Landow 1997
Hypertext 3.0: Critical Theory and New Media in an Era of Globalization George P. Landow 2006
Hypertext: The Convergence of Contemporary Critical Theory and Technology George P. Landow 1992
Hyperworks: On Digital Literature and Computer Games Anna Gunder 2004
In the Event of Text John Cayley, Markku Eskelinen 1999
Inner Workings: Code and Representations of Interiority in New Media Poetics John Cayley 2003
Interferences: [Net.Writing] and the Practice of Codework Rita Raley 2002
Into the Space of Previously Undrawable Diagrams: An Interview with Stephanie Strickland by Jaishree Odin Stephanie Strickland, Jaishree K. Odin 2002
Jim Rosenberg’s Diagram Poems Series #3: A Few Preliminary Notes on Translation Issues Arnaud Regnauld, Hélène Perrin 2007
Literal Art John Cayley 2004
Lucid Mapping: Information Landscaping and Three-Dimensional Writing Spaces Matthew G. Kirschenbaum 1999
Making the Vniverse Stephanie Strickland, Cynthia Lawson Jaramillo 2003
Matter of Time: Toward a Materialist Semiotics of Web Animation John David Zuern 2003
Moving Text in Avant-garde Poetry: Towards a Poetics of Textual Motion Teemu Ikonen 2003
My Mother Was a Computer: Digital Subjects and Literary Texts N. Katherine Hayles 2005
New Media Poetics: As We May Think/How to Write Adalaide Morris 2006
New Media Poetics: Contexts, Technotexts, and Theories 2006
New Media Poetry: Poetic Innovation and New Technologies Philippe Bootz, Jim Rosenberg, E. M. de Melo e Castro, John Cayley, Eduardo Kac, Eric Vos 1996
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Patricia Tomaszek