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Writing
Tully Hansen
The World is Flat
Amy Elias
The Riderly Text: The Joy of Networked Improv Literature
Davin Heckman
The Effects of Software on the Digital Creative Process
Odile Farge
The Computational Sublime in Nick Montfort's ‘Round’ and ‘All the Names of God’
Mario Aquilina
Taroko Gorge: A Theory of Networked Paratext
Kathi Inman Berens
Process-Intensive Literature
Susan Schreibman
,
Robert Kendall
,
Talan Memmott
,
Nick Montfort
,
Stephanie Strickland
,
Noah Wardrip-Fruin
Playing the Text, Performing the Future: Future Narratives in Print and Digiture
Felicitas Meifert-Menhard
Making the Vniverse
Stephanie Strickland
,
Cynthia Lawson Jaramillo
make-shift
Paula Crutchlow
,
Helen Varley Jamieson
J.R. Carpenter: Object-Oriented Interview by Andrea Zeffiro
J. R. Carpenter
,
Andrea Zeffiro
Incubation2 : The 2nd trAce International Conference on Writing and the Internet
Gnoetry
Finding No Object: A Traversal through Processes in Digital Poetry
Álvaro Seiça
Enquête Infolipo
Delphine Riss
,
Cécile Bucher
Electronic Literature as an Information System: A Foundational Framework
Juan B. Gutiérrez
Digital Media Archaeology: Interpreting Computational Processes
Noah Wardrip-Fruin
Community Repository of Writers on Writing
Samantha Gorman
Cityscapes: Thinking Through Practice
María Mencía
A Certain Slant of Light, Typographically Speaking
Lans Pacifico
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