Jump to Navigation
Knowledge Base
Search
Login
materiality
Displaying 1 - 20 of 99
Type
<Any>
Class Group
Creative Work
Critical Writing
Databases and Archives
Event
Notebook entry
Organizations
Person
Platform/Software
Publisher
Research Collection
Teaching Resource
Title
Author
Writing Machines
N. Katherine Hayles
Writers Conference: Mind the Gap: Print, New Media, Art
With Code in Hand: An Inventory & Prospectus for E-Poetics
Loss Pequeño Glazier
What We Offer You Is More or Less The Sum of Its Parts : The Human in the In My Computer Book Series.
Gabriel Tremblay-Gaudette
What Does is Mean to Read Online
Michel Chaouli
V sieti strednej Európy: nielen o elektronickej literatúre: /In Central European Network: not only about electronic literature:/
uConnect
Mark Cooley
Transient Self-Portrait
María Mencía
Toucher
Serge Bouchardon
,
Kevin Carpentier
,
Stéphanie Spenlé
This Is Not the Beginning or the End of Literature
Sandra Bettencourt
,
Diogo Marques
,
Ana Marques da Silva
The Transformation of Narrative and the Materiality of Hypertext
N. Katherine Hayles
The Nature of the Book: Print and Knowledge in the Making
Adrian Johns
The Monstrous Book and the Manufactured Body in the Late Age of Print: Material Strategies for Innovative Fiction in Shelley Jackson’s Patchwork Girl and Steve Tomasula’s Vas
John M. Vincler
The Monstrous Book and the Manufactured Body in the Late Age of Print
John M. Vincler
The media materiality as a “dance of agency” – Performing Literary Text with Substances
Anna Nacher
The Materiality of the Intangible: Literary Metaphor in Multimodal Texts
Lyle Skains
The Machine in the Text, and the Text in the Machine
Manuel Portela
The Life and Times of Tristram Shandy, Gentleman
Laurence Sterne
The Gravity of the Leaf: Phenomenologies of Literary Inscription in Media-Constituted Diegetic Worlds
John Cayley
The Functional Point of View: New Artistic Forms for Programmed Literary Works
Philippe Bootz
1 of 5
next ›
This Work, ELMCIP, is licensed under a
Attribution-ShareAlike 4.0 International license
, although certain works referenced herein may be separately licensed.