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Dane Watkins
Humor — Technology — Gender, Digital Language Art and Diabolic Poetics
Friedrich W. Block
Hypertext with Consequences: Recovering a Politics of Hypertext
Diane Greco Josefowicz
I, Chatbot: The Gender and Race Performativity of Conversational Agents
Mark C. Marino
Kindred
Bambou Kenneth
Mythologies of Landforms and Little Girls
J. R. Carpenter
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext
Laura Shackelford
NeuroSpeculative AfroFeminism
Ashley Baccus-Clark
,
Carmen Aguilar y Wedge
,
Ece Tankal
,
Nitzan Bartov
New Work on Electronic Literature and Cyberculture
Maya Zalbidea Paniagua
,
Mark C. Marino
,
Asunción López-Varela Azcárate
,
Janez Strehovec
,
Ana Abril
,
María Goicoechea
,
Urszula Pawlicka
,
Heiko Zimmermann
Ocean as Media Platform for Electronic Literature
Jessica Pressman
,
Mark C. Marino
,
Melody Jue
,
Diana Leong
On Nationalizing a Transnational Literature: A Case Study on Examining J. R. Carpenter’s Work Within a Canadian Context
Jane Boyes
Patchwork Girl
Shelley Jackson
Pieces of Herself
Juliet Davis
Psychoanalytic Interpretation of Blueberries by Susan Gibb
Maya Zalbidea Paniagua
Queer/Femme Internet Aesthetics
Reading and Teaching Gender Issues in Electronic Literature and New Media Art
Maya Zalbidea Paniagua
Salon September 14, 2021: Making Digital Glamour: Queer Femme Internet Aesthetics
Katie Schaag
Snow Queen
Machine Libertine
Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl
George P. Landow
The Cyberspace, Hypertext, and Critical Theory Web
George P. Landow
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