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What you click is what you get? - Die Stellung von Autoren und Lesern in interaktiver digitaler Literatur
Anja Rau
Web/Fiction/Design: A brief beta-test of this year’s winner of the ELO Awards, Caitlin Fisher’s These Waves of Girls
Anja Rau
Unoriginal Genius: Poetry by Other Means in the New Century
Marjorie Perloff
Triggerhappy
Thomson and Craighead
The Unknown
William Gillespie
,
Scott Rettberg
,
Dirk Stratton
,
Frank Marquardt
The Torrent
Joe Milutis
The Reader as Author as Figure as Text
Roberto Simanowski
The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext
John Cayley
The Distributed Author: Creativity In the Age of Computer Networks
Christiane Heibach
The Death of the Author / Mort de l'auteur
Roland Barthes
The Birth of the Algorithmic Author: NLG Systems as Tools and Agents
Leah Henrickson
The Aesthetics of Generative Literature: Lessons from a Digital Writing Workshop
Daniel C. Howe
,
Braxton Soderman
Tecnologias digitais e o futuro da escrita: uma prospectiva para investigação científica
Artur Matuk
Silicon Poetics: The Computer as Author and Artifice
Russische Literatur im Internet Zwischen digitaler Folklore und politischer Propaganda
Henrike Schmidt
Reimbox
Klemens Bobenhausen
,
Benjamin Hammerich
Reconfiguring the Author: The Virtual Artist in Cyberspace (Keynote Address)
Mark Amerika
Recombinant Poetics: Emergent Meaning as Examined and Explored Within a Specific Generative Virtual Environment
Bill Seaman
Reading Club
Annie Abrahams
,
Emmanuel Guez
Quantum Authoring for "Prom Week": What We Learned Writing Six Thousand Lines of Procedurally-Driven Dialogue
Aaron A. Reed
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