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Why Digital Literature Has Always Been “Beyond the Screen”
Andrew Michael Roberts
Toward. Some. Air.
Toward Understanding Real-World Social Impacts of Avatars
D. Fox Harrell
,
Dominic Kao
,
Chong-U Lim
Third Hand Plays: The Comedy of Subjection
Brian Kim Stefans
The Unsatisfied Reading
Philippe Bootz
Tailspin
Christine Wilks
soundAFFECTs
Hazel Smith
,
Anne Brewster
,
Roger Dean
Sound Rites: Relationships Between Words and Sound in New Media Writing
Hazel Smith
Reading Digits – Haptic Reading Processes in the Experience of Digital Literary Works
Diogo Marques
Parables for the Virtual: Movement, Affect, Sensation
Brian Massumi
Office Diva
Josephine Anstey
,
Dave Pape
Narrative, Affect and Materialist Aesthetics in Post-Digital Technotexts
Eric Dean Rasmussen
Narrative Affect in William Gillespie's Keyhole Factory and Morpheus: Biblionaut, or, Post-Digital Fiction for the Programming Era
Eric Dean Rasmussen
Making Sense: aspects of the literary in electronic environments
Maria Angel
,
Anna Gibbs
Literal Art
John Cayley
List(en)ing Post
Rita Raley
Involvement, Interruption, and Inevitability: Melancholy as an Aesthetic Principle in Game Narratives
Daniel Punday
How to Avoid Being Paranoid
Melissa Gregg
Hors-Categorie: An Embodied, Affective Approach to Interactive Fiction
David Benin
Growing Intimate With Monsters: Shelley Jackson’s Patchwork Girl and the Gothic Nature of Hypertext
Christopher Keep
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