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Topographic Writing: Hypertext and the Electronic Writing Space
Jay David Bolter
The Origins of Electronic Literature: An Overview
Giovanna Di Rosario
,
Nohelia Meza
Playing with rather than by the Rules: Metaludicity, Allusive Fallacy and Illusory Agency in The Path.
Astrid Ensslin
Digital Fiction and Worlds of Perspective
David Ciccoricco
Media-Specific Metalepsis in 10:01
Alice Bell
From Theorizing to Analyzing Digital Fiction
Alice Bell
,
Astrid Ensslin
,
Hans Kristian Rustad
Will Computer Games Ever Be a Legitimate Art Form?
Ernest Adams
Reading Digital Fiction: From Hypertext to Timeline
Roberto Simanowski
Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe
Alexandra Saemmer
Figures of Gestural Manipulation in Digital Fictions
Serge Bouchardon
“Where to begin? Multiple narrative paths in web fiction”
Jessica Laccetti
"Do you want to hear about it?' Exploring possible worlds in Michael Joyce's hyperfiction, afternoon, a story"
Alice Bell
Storyspace Estranged: Kathy Mac’s Unnatural Habitats
Mariusz Pisarski
'Into an alien ocean:' The Lore of Kathy Mac’s Unnatural Habitats
Astrid Ensslin
Like a Dog Chasing its Tail
Aidan Walker
Under the Parable. Hypertext and Trauma in Genetis: A Rhizography
Mariusz Pisarski
A Sucker in Spades & Transitional Media
Dene Grigar
Reformers vs Capitalists: Hypertext and Simulation in The Election of 1912
Mariusz Pisarski
Hypertext Lake: Carolyn Guyer’s Quibbling or Lessons in Hypertext Reading
Mariusz Pisarski
Affect, Emotion and Sensation in New Media Writing: The Work of John Cayley, MD Coverlry and Jason Nelson in Literature and Sensation, Cambridge Scholars Publishing
Hazel Smith
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