Book (M.A. Thesis)

<p>An academic work developed for a Master's level degree.</p>

Displaying 1 - 20 of 24
Titlesort descending Author
'Le Livre' e o 'Sintext:' A Simulação do Sonho de Mallarmé Através da Poética Digital de Pedro Barbosa Luís Cláudio Fajardo
A Creature Made of Bits: Illusion and Materiality in the Hyperfiction Patchwork Girl by Shelley Jackson Daniela Côrtes Maduro
A Interatividade na Poesia Digital Otávio Guimarães Tavares
Ars Combinatoria: En Brukermanual for Raymond Queneaus 'Cent mille milliards de poèmes'  Joachim de Fine
Chronotope and Cybertexts: Bakhtinian Theory for Tracing Sources of Narrative in Interactive Virtual Environments: From Naked Lunch to Fast City James Barrett
Computers, Cut-ups and Combinatory Volvelles: An Archaeology of Text-generating Mechanisms Whitney Anne Trettien
Fertile Synthesis: Emotion in Online Digital Poetry
Fortelling, litteratur og materialitet: En komparativ analyse av tre digitale verk Nina Singdahlsen
Framing Embodiment in General Purpose Computing Elisabeth Nesheim
Hyperizons: A study of interactive reading and readership in hyperfiction theory and practice, with an outlook to hyperfictions' future inspired by the reading of Sophie's World and The Pandora Directive Lisbeth Klastrup
Hyperpoems and Hyperpossibilities Deena Larsen
Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film Jill Walker Rettberg
Internet Hyperfiction: Can it ever Become a Widely Popular Artform? Nikolaj Jensen
Lirismo Verbal e Virtual: Travessia de Sentidos Natascha Gomes Paiva
Netzliteratur in der Lehre: Fachliche Kompetenzen vermitteln und erwerben durch kooperatives Blended Learning Patricia Tomaszek
Oltre i confini del libro. La letteratura italiana nell'era digitale Daniele Giampà
Oltre il lineare: la letteratura elettronica Caterina Vafiadis
Scandinavian E-texts in Context: "En Million Historier," "Svevedikt," and "Primärdirektivet" Melissa Lucas
Silicon Poetics: The Computer as Author and Artifice
The Code Looks Back: Flash Software, Virtual Spectators, and the Interactive Image Megan Sapnar
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