The Reader, the Player and the Executable Poetics: Towards a Literature Beyond the Book
Critical Writing
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Year:
2010
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ISBN:
9783837612585
Pages:
403-425
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Abstract (in English):
Giselle Beiguelman underlines that it is essential to be aware of the historical continuities as well as of the discontinuities that materialize in electronic literature or art. This is particularly true in Brazil where multimedia poets combine videotext and video with their texts.The essay deals both with these historical continueties and more recent trends exhibited in a number of recent works of electronic literature.
(Source: Beyond the Screen, introduction by Jörgen Schäfer and Peter Gendolla)
Works referenced:
Title |
Author | Year |
|---|---|---|
| FILMTEXT 2.0 | Mark Amerika | 2002 |
| MIDIPoet | Eugenio Tisselli | 2002 |
| Nio | Jim Andrews | 2001 |
| Nome | Arnaldo Antunes | 1993 |
| Tafel/Blackboard | Frank Fietzek | 1993 |
| The Jew's Daughter | Judd Morrissey | 2000 |
| The Tulse Luper Journey | Peter Greenaway | 2006 |
| The Tulse Luper Suitcases | Peter Greenaway | 2000 |
| What We Will | John Cayley | 2004 |
Critical writing that references this:
| Title | Author | Publisher | Year |
|---|---|---|---|
| Digital Literature: Theoretical and Aesthetic Reflections | Luciana Gattass | 2011 | |
| Literary Gaming | Astrid Ensslin | The MIT Press | 2014 |
